Mary Sundale is a young woman who spurns her childhood sweetheart to attach herself to a large group of riotous, semi-artistic young people and becomes infatuated with a superficial poet and critic. One night this poet becomes too bold in his advances and is thrashed by the man who has been rejected. On a later night, the group holds a party in a dirigible. The ship crashes and fear grips the revelers. Mary, now disgusted with the group and all it represents, mends her manner of living and plans a future with the man who has always sincerely loved her. A lost film.

On a trip to a small village Mr. Jones overhears two separate men showing a picture of his wife and talking about going to see her when they go to the city. He jealously follows them to the depot and then to his house. Once there he ties them up and waits for his wife’s return. Just when everything looks to take a murderous turn in walks their maid, Belinda. Belinda admits it was she who sent pictures of her mistress fearing she herself was too plain to catch a man’s attention. Mr. & Mrs. Jones see the ludicrous side and all is forgiven.

When Harlan Carr inherited his Uncle Ebenezer's "Jack-O Lantern" house and too his bride there to live, he found himself the unwilling host of a score of hungry relatives within a week. Soon, strange things began to happen. A black cat made the house his headquarters, unexplained sounds could be heard and a shadowy figure floated through the halls at night.

Clarissa spins the tale for her children of how when she was a young girl, she was the belle of the small town of Cherry Pit Siding. Winning the title of “the most popular young lady” at the annual fireman’s ball she is awarded the prize of a beautiful calf. Loved by artist Josh Jiggers she poses for a painting to be known as "Clarissa's Charming Calf." Unfortunately for the lovers New York variety manager Omar Commerstein espies the portrait and yearns to make Clarissa a roof-garden attraction. When she spurns him, he takes desperate measures to ensnare her but thanks to the efforts of Josh and the firemen the villainous manager and his confederates are soon thwarted. Reunited Clarissa and Josh marry.

William Lowry rescues Claudia Royce from a burning building, and upon hearing that her parents are trying to force her to accept millionaire Leland, whom she does not love, he proposes a marriage of convenience to himself. She accepts, and Bill arranges a fake ceremony; but when she falls in love with Davidge, Bill refuses her a "divorce." Later, Bill gets rich in the manufacture of a patented fireman's pole, and when he buys a house for Claudia she realizes her love for him and they are legally married.

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

Figures Don't Lie is a showcase for the physical charms of lovely Esther Ralston, who in one scene proves the accuracy of the title by donning a fetching one-piece bathing suit. The main story concerns wise-guy insurance salesman Richard Arlen, who through a combination of hard work and sheer gall lands a job as sales manager. But he can't land heroine Ralston, who has remained cool to his charms ever since he tried to make a play for her on the street. A lost film.

Short comedy

Edward Swinger contrives to win the hand of the lovely Caroline Pickering by selling her father his business - a business that doesn't actually exist.

A young man's journey into adulthood, love, and ambition, inspired by a serial by George Randolph Chester exploring themes of love, ambition, and self-discovery, set against the backdrop of the Roaring Twenties.

Robert Lovell falls in love with his father’s secretary Dorothy Arden and marries her in secret despite his father and his business partner Daniel Casselis’s attempts to arrange a match for him with Daniel’s daughter, also named Dorothy. When circumstances lead to the three young people ending up stranded on a lonely island in the Pacific, complications ensue, especially when Bob suffers a blow which temporarily wipes out his memory and he cannot remember which Dorothy is his wife! All ends happily, however.

Ann Barton, the daughter of a once-wealthy family, is forced to clerk at the cigar counter of a village hotel, where she meets James McDonald, a breezy, handsome salesman. Ann is adopted by an aristocratic aunt, who disapproves of James's manners and breaks up Ann's relationship with him. Ann soon revenges herself on her aunt by placing both her aunt and herself in compromising positions.

James Montgomery Flagg first draws his sketch of the girl, and then tearing it from its frame reveals the real girl lounging in bed with the pouting expression which is her wont. Then we are treated to an exposé of her various moods and selfish acts. For instance, she allows mother to bring breakfast to her in bed, and doesn't even greet her with a smile nor trouble to thank her. And it is nothing for father and mother to sit up until daylight to open the door for her as she returns from a dance. Finally she demands an automobile so that she will not have to bother with taxis, and in order to grant her wish, some of the household furniture has to be sold. In a tantrum she takes her car and goes to her lover, and the closing scene shows her in a home of her own, making life miserable for a husband.

Sure-Fire Flint, an energetic chap just returned from wartime military service, meets June De Lanni, the girl of his dreams, while working as a cabdriver and busboy. Her father gives Flint a job in his factory, but Dipley Poole, who hoped to marry June, becomes jealous of Flint's success and attempts to rob the company safe. June is trapped in the safe, but after a series of adventures, Flint arrives in time to rescue her.

When a secretary overhears her boss disparaging her looks, she decides to show him how wrong he is.

A tale of English political intrigue. A certain member of Parliament, whose voice and vote would have passed an objectionable measure, is prevented from reaching the house in time by the opposition's subterfuge of a girl calling for assistance just as he passed her house. The young lady being an actress merely re-enacts a scene from the amateur theatricals she appeared in. The plan works holding him until it is too late to take part in the debate or vote upon the question and the bill did not pass.

To be a fond and devoted parent, and to be unable to play with the heaven of your heart is indeed a cruel decree. That was the case of Papa Binks, but he outwitted Mrs. Binks and the nurse in a very effective, yet unostentatious manner, while he and the baby had the time of their lives.

Miles Machree (J. Warren Kerrigan) meets Irish-American Sheila Lynch (Fritzi Brunette) when she travels through Ireland with her father (James O. Barrows). Soon after the Lynch's return to the States, Miles follows, and through his uncle's connections, gets a job on the New York City police force.

Skelley buys a seat in the orchestra and determines to get his money's worth. No use. Mrs. Van Snoozeheim refused to remove her big hat. But it came off. Skelley did it. That started something with Mrs. Van Snoozeheim's escort. Over the stage they fought, and into the Rathbone Café, and into Higgin's saloon. He took them over to his arena. There were two rounds to the finish.