Documentary about the making of the 1983 thriller "Cujo"

Mickey Rooney is interviewed by Robert Osborne.

Witness never-before-seen footage of the Warren Miller film crew and athletes as they take on the world's most exotic mountains, treacherous terrain and red-hot ski resorts. Listen as they share their untold stories acres-ski. The only way to get closer to the action is to be on skis.

Join Mike, Tom, and Yuri in the studio as they record their album "Secret Weapon."

Mia and Roman is a 1968 23-minute documentary film which was shot during the making of Rosemary's Baby.

Documentary of the making of the sequel to the popular Schwarzenegger film, The Terminator.

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.

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Amazing, but true: Fort Lee, New Jersey (just across the George Washington Bridge from Manhattan), was once the epicenter of American film production. This documentary of a truly bygone era combines photographs culled from private collections, as well as restored footage from such films as Thomas A. Edison's Rescued from an Eagle's Nest and D.W. Griffith's The New York Hat, filmed at the studios in Fort Lee.

Behind the scenes of the 2004 film "Cutie Honey". Extra on Blu-ray Box.

This documentary short subject for DVD gives a look at the making of Cole Porter's MGM classic, "Les Girls". Hosted by Finnish film legend and star of "Les Girls", Taina Elg tells of working with Gene Kelly, Kay Kendall and George Cukor on one of the last great MGM musicals.

A short documentary on the making of the 1946 film Ziegfeld Follies.

A short documentary on Jerome Kern and the making of Till the Clouds Roll By.

A short documentary on the lives of songwriters Bert Kalmar and Harry Ruby and the making of the film, Three Little Words.

A behind-the-scenes look at the building of the bridge in the film The Bridge on the River Kwai (1957) and the preparations for its destruction.

The story of the shooting of Satan's Blood (Escalofrío), a film directed by Carlos Puerto in 1978.

Haunted by three unfinished films, a filmmaker seeks to demystify his relationship with failure through encounters with past collaborators.