This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.

Jean-Claude van Damme, Sheldon Lettich and more discuss the 1991 film "Double Impact" from inception to reception.

Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.

Narrated by historian, critic and filmmaker Elvis Mitchell, this documentary reflects the development of the iconic filmmaker's signature style, through the making of one of his benchmark films, Blackmail. The documentary highlights the birth of the "Hitchcock Touch" at a period when talking pictures first emerged and explores his trademark themes, like such as murder, suspense and cool blondes. While focusing on Blackmail, the documentary reveals how this film also foreshadows the director's later masterpieces, from Psycho to North by Northwest and from The Birds to Frenzy.

A small, elite fraternity of high-altitude skiers climb the highest peaks in the world in pure Alpine style, carrying their skis and declining to use supplemental oxygen. At the top of the world, high in the Death Zone, they lock into their skis and challenge the most dangerous slopes in the world—under weather conditions that are as perilous as the thin air, hidden crevasses and 10,000 ft. sheer faces that drop into Nepal and Tibet far below.

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.

Making-of documentary about Lino Brocka's 1975 film "Manila in the Claws of Light," featuring interviews and behind-the-scenes footage.

When Canada entered World War II, the National Film Board suddenly had an urgent new mission—and hundreds of women stepped forward, helping to create Canadian cinema as we now know it.

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A documentary about Tim Burton's iconic 1988 fantasy comedy Beetlejuice, covering all the aspects of production: from filming in East Corinth, Vermont, to the stop-motion and special effects work, as well as a series of exclusive interviews and rare behind the scenes archives.

BRICKS IN MOTION is a feature length documentary that explores the lives of individuals involved in the hobby of creating stop-motion animated films with LEGO® bricks and other building toys. Filmed in five countries around the world, the film is a journey through the creative life and struggles of a diverse community of storytellers as they bring their spectacular visions to life.

Documentary which follows Bo Widerberg during the making of 'Man on the Roof', 'The Butt' and a failed theater production.

Adventuring to undiscovered peaks together, plotting midnight-raids on inner-city handrails, lapping your home run until that last ray of sunshine disappears behind a distant ridge - Skiing is Collective. Some call it a tribe mentality, others call it a shared sense of purpose. This film is our definition, written by a diverse team, each with their own ideas, their own forms of expression. "The Collective" is more than a sum of its parts. No matter who you are or where you come from - it feels good to be part of something special.

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.

The story of one of the great environmental disasters to befall the United States, and the terrible movie that helped bring the catastrophe to light.

Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.

French documentarist Sonia Kronlund follows actor and director Salim Shaheen, an Afghan movie star who produced more than 110 low-budget movies in a country devastated by war.