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L'Autre c'est moi est le troisième spectacle de l'humoriste Gad Elmaleh, en 2005.

"Décalages" is Gad Elmaleh's first show, where he humorously tells the story of his arrival in France and his cultural shocks. Blending stand-up and characters, he addresses themes of integration and the beginnings of his career.

George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.

Chris Elliot plays FDR in his live "One Man Show" about the life and times of the president, however, he looks and sounds nothing like the man and he re-enacts events from Roosevelt's life that never happened.

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Monologuist Spalding Gray talks about the great difficulties he experienced while attempting to write his first novel, a nearly 2,000-page autobiographical tome concerning the death of his mother. Among his many asides, Gray discusses his problems in dealing with the Hollywood film industry, recounts the trips he took around the world in order to avoid dealing with his writer's block and describes his ambivalence about acting as stage manager for a Broadway production of "Our Town."

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Blanche offers us her new stand-up, creation 2018. She spares no one. Not even her own guts, which she still delivers to us smoking on the altar of self-derision.

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Actor Robert Vaughn takes on writer Dore Schary's acclaimed one-man play, "Sunrise at Campobello," bringing to life one of America's most beloved and influential presidents: Franklin Delano Roosevelt. Focusing primarily on the political figure's battle with polio, this made-for-TV movie reveals the humanity and grace of the man who led the country through some of its toughest times, including the Great Depression and World War II.

In his third year on the farm, after two profit-free seasons, Walt finally pinpoints the economic source of his problems and embarks on a course which brings him to his most profound crisis to date. In this sequel to Letter From Wingfield Farm and Wingfield's Progress Walt sets up a closed economy with his neighbours, prints his own currency and falls in love.

In his fourth season on the farm (and his first as a married man) Walt Wingfield tries to preserve the memory of the old rural community of Persephone Township by promoting the crumbling Hollyhock Mill as a museum site. But the locals say the mill is haunted. Undaunted by such superstitious fears, Walt sets out to prove to the neighbours that there's nothing to this curse business - with near disastrous results.