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For the first time on television, Fabrice Luchini, the one-man band, in turn actor, despiser and worshiper of literature, has agreed to leave an audiovisual trace of his famous solos on stage, which he distills with unfailing success. for over 25 years. A television event!

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When a captain of industry trades his pinstripe suit for overalls and retreats to a hundred acre farm, the residents of Persephone Township raise their eyebrows. Weekend farmers are a common enough sight, but this man seems to think he can make a living with a broken down racehorse and a single furrow plough. Letter From Wingfield Farm is the story of one man's attempt to embrace a less complicated world. In a series of letters to the editor of the Larkspur weekly newspaper, Walt Wingfield tells of the people and events of his first year as a man of the soil.

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George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.

L'Autre c'est moi est le troisième spectacle de l'humoriste Gad Elmaleh, en 2005.

La Vie normale est un spectacle de Gad Elmaleh sorti en 2001 où sont dépeints les caractères de plusieurs personnages et où il joue son propre rôle.

"Décalages" is Gad Elmaleh's first show, where he humorously tells the story of his arrival in France and his cultural shocks. Blending stand-up and characters, he addresses themes of integration and the beginnings of his career.

Emmy-winning actor, writer, and comedian Brett Goldstein brings his irresistible charm and quick wit stateside for his first HBO stand-up special. Best known for the hit shows "Ted Lasso" and "Shrinking", Goldstein sheds his testy Roy Kent façade to share his hilarious insights on love, sex, masculinity, "Sesame Street", and everything in between.

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Five years since Moi, Mario his last solo show, after more than 1,500 performances of his previous shows delivered in front of more than a million spectators, Mario Jean returns in force and in great shape, with a desire to renew himself, to progress and surprise again. His unique, versatile and unifying style allows him to tackle themes in which people recognize themselves, while surprising them. Among the favorite subjects of Aller de l'avant are human intelligence and stupidity, the joys and sorrows of aging, overconsumption, television and advertising, and one's children who are still at home. and he reserves a number on sexual consent.