Across two countries, France and Algeria, and five cities, Mohamed Gholam takes us south to tell us about the earthen and vernacular-inspired architecture of André Ravéreau. Passing through Lyon, Marseille, Algiers, and Djelfa, this adventure will take us to Ghardaïa, in the Algerian desert. The documentary presents the following buildings: L'Orangerie in Lyon, the Village Terre de l'Isle-d'Abeau in Villefontaine, the Unité d'Habitat or Cité Radieuse in Marseille, L'Aérohabitat in Algiers, the Palais des Raïs or Bastion 23 in Algiers, the Hôtel des Postes in Ghardaïa, and the low-cost housing of Sidi Abbaz de Bounoura.

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

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A documentary about the concrete sections of the Berlin Wall that have been acquired by institutions or individuals since 1989 and are now scattered across the USA. Cherished or abandoned, they have become silent witnesses to recent history.

Brazilian architecture in the 20th century influenced generations of architects worldwide. But there was a time when choosing an architectural style also meant choosing a vision for the country, amidst political power struggles.

Ninety-year-old sound artist and comedian Henry “Sandy” Jacobs lives a quirky existence at the end of Sunnyside Drive, a steep and winding dirt road washed by fog from the Pacific Ocean. Sixty feet down the hill lives his eccentric 84-year-old friend and neighbor, architect and former Frank Lloyd Wright collaborator Daniel Liebermann. These extraordinary old men, influential artists in the 1950s and ’60s, continue, each in their own way, to search the world for perfection. Sunnyside takes us to an extraordinary place, a microcosm with its own distinctive rhythm and remarkable inhabitants. It is a film about creativity, the capacity to dream and, ultimately, the transience of life.

A modern explorer leads us on a global journey to discover how nine of the world's greatest architects are shaping our future.

Tadao Ando, a self-taught architect, proposes an international architecture that he believes can only be conceived by someone Japanese. His architecture mixes Piranesian drama with contemplative spaces in urban complexes, residences and chapels. This film presents the formative years of his impressive career before he embarked on projects in Europe and the United States.

Arata Isozaki: Early Work in Japan takes a detailed look at the architect's pieces, exploring applauded projects such as the EXPO '70 Osaka Festival Plaza, Gunma Prefectural Museum of Modern Art and Kitakyushu Municipal Library. The extraordinary series of architectural breakthroughs made during this time contributed significantly to the evolution of contemporary architecture worldwide, and eventually gained him his first foreign commission

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Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

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Isamu Noguchi was a sculptor, designer, architect, and craftsman. Throughout his life he struggled to see, alter, and recreate his natural surroundings. His gardens and fountains were transformations meant to bring out the beauty their locations had always possessed.

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A manufactured memory.

Tokyo, the largest city in the world, wants to create a new urban culture. It is returning to the urban traditions and building techniques of the small town. The aim is to create a new balance between megacity and small-scale garden city. Tokyo's architects are the driving force. They want to create a new urban culture with revolutionary ideas.

Secluded from view by nine-meter-high walls and composed of 980 buildings, the Forbidden City in Beijing is the largest imperial palace ever built in the world. Three majestic structures form its center and host the city's ceremonies, each of which is considered an architectural masterpiece. In 1406, construction of the Forbidden City was launched at the initiative of one of China's most powerful sovereigns and founder of the Ming dynasty: Yongle. Endowed with divine power, the construction has already resisted more than 200 earthquakes.

The architect André Ravéreau spent a large part of his life in Algeria, he is today an essential reference for Algerian builders of several generations. His daughter Maya, an architect herself, accompanies us to the places of his creations and his research, in the Mzab first where he lived, created, trained other architects in the "desert workshop" and had the oases of the Mzab classified as a UNESCO World Heritage Site. Inspired by tradition to better innovate as in the construction of the Ghardaïa post office, or in that of a very surprising villa... Then in Algiers where he worked to preserve the ancestral heritage of the Casbah, faithfully describing the principles of his construction in line with current concerns, such as the choice of environmentally friendly materials and avoiding energy waste, as testified by the architect Yasmine Terki, a great specialist in earth materials.

The city of Ordos, in the middle of China, was build for a million people yet remains completely empty. Ordos is not so much a place but a symbol of babylonic hype. But nothing will change - as long as people believe.

Every day, Paris’ six railway stations welcome over 3,000 trains and more than a million travelers coming from France and all over Europe. The stations’ sizes are impressive: Gare du Nord is bigger than the Louvre or Notre-Dame de Paris. These railway stations are architectural landmarks and a model of urban planning despite the radical changes they’ve undergone since their construction in the middle of the 19th century. How did the railway stations manage to absorb the boom of travelers in just a few decades? What colossal works were necessary to erect and then modify these now essential buildings? From the monumental glass walls of Gare du Nord to the iconic tower of Gare de Lyon, to the first-ever all-electric train station, each has its own story, technical characteristics, and well-defined urban image.