A portrait of five St. Petersburgians and their connection to The Hermitage.

The Island is a short film shot entirely on Pulau Bidong, an island off the coast of Malaysia that became the largest and longest-operating refugee camp after the Vietnam War. The artist and his family were some of the 250,000 people who inhabited the tiny island between 1978 and 1991; it was once one of the most densely populated places in the world. After the United Nations High Commissioner for Refugees shuttered the camp in 1991, Pulau Bidong became overgrown by jungle, filled with crumbling monuments and relics. The film takes place in a dystopian future in which the last man on earth - having escaped forced repatriation to Vietnam - finds a United Nations scientists who has washed ashore after teh world’s last nuclear battle. By weaving together footage from Bidong’s past with a narrative set in its future, Nguyen questions the individual’s relationship to history, trauma, nationhood, and displacement.

UNESCO Memory of the World: Explore the Bibliotheca Philosophica Hermetica’s new home with 25,000+ rare books on alchemy, hermetica & mysticism at the Embassy of the Free Mind museum, set in Amsterdam’s historic canal mansion, the House with the Heads.

On Manhattan's jam-packed streets, NYC's most iconic driving instructor prepares students for the road ahead.

How much can you trust your childhood memories? Director Sam Firth investigates, sweeping her parents into the experiment and on a journey into the past.

In 1963, Rosans, a village in the Hautes-Alpes region depopulated by the rural exodus, welcomed Harkis (military soldiers) forced to leave Algeria for supporting France during the Algerian War. Around thirty families settled in a camp below Rosans. Nearly half a century after their arrival, first- and second-generation Harkis and native Rosanais recount their experiences of this culture clash, often painful, sometimes happy. Language barriers, religious differences, living in barracks for 14 years, and unemployment were all obstacles to overcome in order to be accepted and then achieve mutual enrichment. Enriched with archive footage to explain the historical context of the time, the film seeks above all to express feelings and unspoken words.

The story is not only about Ukrainian museums during a full-scale war, but about the survival of our culture in general. The occupiers are trying to destroy it and steal it, but thanks to museum workers, it is not only being protected, but also multiplied.

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?

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The city from the unique perspective of the many wild animals and plants that inhabit it. Seen through the eyes of the adventurous urban cat, Abatutu.

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Television Without Frontiers centers around a 1982 project titled "Eurikon", originally an attempt to establish a transnational public service network. The film brings together media personalities that engage in multilingual conversations in an atmosphere that shifts between the past and the present.

"Surrounded by dozens of soldiers like me, I was led by bus to a remote camp in the desert, a place I knew nothing about. As a military photographer, I collected fragments of moments in my photos, serving as solid evidence for me." Shivtown is the story of an ordinary soldier who, in an intimate and courageous act, revisits memories from his military service through the still images he captured with an analog camera.

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

To celebrate its 250th anniversary, this documentary tells the story of one of the world’s greatest museums, from its foundation by Catherine the Great, though to its status today as a breathtakingly beautiful complex which includes the Winter Palace. Showcasing a vast collection of the world’s greatest artworks together with contemporary art galleries and exhibitions, it holds over 3 million treasures and world class masterpieces in stunning architectural settings. This is its journey from Imperial Palace to State Museum, encompassing a sometimes troubled past, surviving both the Revolution in 1916 and the siege of Leningrad by the Nazis in 1941-44.

The city and its parking lots.

Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.

A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in response to a year of collapsing relationships and violent accidents that left me broken, dislocated and stuck in my apartment.

The reception ebbs and flows as the unfamiliar landscape whirls by the window of a plane or train or car. Communication is delayed, fragmented, interrupted. Memories of a distant country.

Originally produced in 1997 on the threshold of the Third Millennium of the Christian Era, and in celebration of the Jubilee of the Year of Our Lord 2000, The Vatican Museums was the culmination of three years of research and filming, the collaboration of thirty-two scholars and historians from around the world, a crew of forty directors of photography, operators, and lighting technicians, state-of-the-art digital cinematography, lighting, animation, and computerized editing, and the work of a famous composer with original performances by master musicians. Now available on DVD for the first time, this historic three-disc collection features seven hours of magnificent documentary film that illuminates and chronicles the great journey of the human spirit. Here then is the world's most spectacular and sacred repository of art, history, and faith.