In August 2012, mineworkers in one of South Africa’s biggest platinum mines began a wildcat strike for better wages. Six days later the police used live ammunition to brutally suppress the strike, killing 34 and injuring many more. Using the point of view of the Marikana miners, Miners Shot Down follows the strike from day one, showing the courageous but isolated fight waged by a group of low-paid workers against the combined forces of the mining company Lonmin, the ANC government and their allies in the National Union of Mineworkers.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

A journey into rural Paraguay, the struggle for land, for rights, to maintain cultural identity and traditional production methods in the face of the advance of the soybean agro-export model. Organization, persecution, imprisonment. The voice that is not heard, but cries out and expresses itself.

The Legend of the Paraguay War Legend tells that during the Paraguay War (1864-1870), families that lived near the border and soldiers who were leaving for battle used to hide their valuable belongings by burying them in secret spots, in order to safely recover them after the war. In several cases, though, the only people who knew about the secret spots of those personal treasures died before they could go back to recover them. According to inhabitants of that region, the spirits of those tormented men would reveal the location of those "buried and hidden" treasures to chosen people in their dreams, visions or by haunting them. "The Legend of the Paraguay War" approaches local legends in a historic and literary way. Those legends were born from within the biggest conflict in South America, and were developed and influenced by the local imaginary view of the world and which can be considered a relevant part of those people's identity up to this day

Pauline, Norah, Kristina and others wait for hours, sitting under a hut deep in the Bois de Vincennes. In front of the administrative detention center (CRA) in Paris, they have all come to see their loved ones locked up. Lives on hold, awaiting deportation or release. On this stage, these women tell their stories, talk to each other, share their experience, their revolt and their dreams with new visitors. They are the mirror of migrant detention, its reverse view.

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A theatrical documentary about Hrytsko Chubai, a genius of Ukrainian poetry, a connoisseur of literature, art and music and the brightest representative of Lviv underground culture of late 60s early 70s.

Documentary that explores the relationship between politics and drug trafficking in Paraguay

By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.

Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.

Chapter 15 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico from 1970 to 1974. During the presidential term of Luis Echeverria Alvarez fantasies of prosperous and modern country it dissolves; Mexico live in political crisis. It is a time of omnipotence, barbarism, and violence intervention: the world seeks new ways. In Mexico, it held the World Cup, unionism is strengthened and inflation responds to the continuing economic imbalances.

As anger and resentment grow in the face of social inequalities, many citizens-led protests are being repressed with an ever-increasing violence. In this documentary, David Dufresne gathers a panel of citizens to question, exchange and confront their views on the social order and the legitimacy of the use of force by the State.

In July 2015, after 27 years, Paraguay will receive the Pope. Ru Ore is a documentary about the waiting for this important event through four life stories: Gaby, 13, who lives in one of the poorest neighborhoods of Asuncion; Mafe, 16, who is fighting against cancer; the story of Margarita, 53, Indigenous "Aché" fighting for the survival of her traditions and culture; and the history of Tati, 18, a survivor of the Ycuá Bolaños tragedy.

This portrait that goes against the grain depicts the Führer as a lazy, isolated leader, cut off from reality, incapable of governing without his "apostles". They are Hitler's essential ministers, advisers, rivals, courtiers. They hate each other, and the Führer puts them in competition, often to get the worst out of them. The portraits of Hermann Goering, Heinrich Himmler, Joseph Goebbels, Albert Speer but also Rudolf Hoess, the commandant of the Auschwitz-Birkenau camp, and Doctor Joseph Mengele trace the rivalries, hatreds and predations that punctuate the entire frightening epic of Nazism. This documentary is composed of a selection of archive images and testimonies from descendants and specialists of this period.

Everything you've ever wanted to know about Saddam Hussein (but were afraid to ask).

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In the panorama of Kurdish music, Koma Berxwedan (Group Resistance) is one of the most interesting, innovative, experimental groups. To a deep love for music research the group has always associated a strong political commitment. Some of its members have joined the PKK guerrillas in the mountains of Kurdistan. Three of them died in combat. Some have been forced to live in exile and others continued to challenge the Turkish authorities by carrying out their work in Kurdistan.

The Square looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarak’s fall. The life-and-death struggle between the people and the power of the state is still playing out.

A BBC News investigation has revealed how violent criminal gangs are finding, abusing and extorting people from the LGBT community they meet online in Egypt. Using masking technology to hide the identities of the people he meets, Ahmed Shihab-Eldin navigates the complex online and real-life world of people who identify as queer and who have been repeatedly targeted by a gang with violent viral video humiliations and police arrests.

Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.