The film follows five people who lost their sight in armed conflicts, gathering fragments of their present-day lives. Through an enveloping sound composition, veiled archival material, footage shot by the protagonists themselves, and a sensitive visual approach, the film explores memory, perception, and our relationship to the visible. Steering away from spectacle, it invites us to hear what often goes unheard, and to feel differently. In an age saturated with images, this documentary offers a sensory experience where listening becomes a gesture of resistance and human reconnection.

Hammer and compass in Mozambique. We see a GDR flag waved at a rally in Maputo, carried by "Madgermanes", contract workers who once toiled in eastern Germany. Some of them founded families there, like Eulidio. His daughter Sarah grows up with her mother in Berlin. The relationship with her "second home" is slow in growing, partly thanks to Luana, Sarah's baby, whose father, Eduardo is also from Mozambique.

In August 2012, mineworkers in one of South Africa’s biggest platinum mines began a wildcat strike for better wages. Six days later the police used live ammunition to brutally suppress the strike, killing 34 and injuring many more. Using the point of view of the Marikana miners, Miners Shot Down follows the strike from day one, showing the courageous but isolated fight waged by a group of low-paid workers against the combined forces of the mining company Lonmin, the ANC government and their allies in the National Union of Mineworkers.

Social democracy propaganda film about future dreams for Denmark in 1960. Although Denmark is free again, the former opponent and worker, Svend, is disillusioned: "It is all something soft". The dream of the future is incarnated by a young woman, Karen, who shows Svend the visions of a better life in the 'youth's land'. There are homes and a nuclear-powered car for everyone.

Eugen Schuhmacher focuses on endangered and rare animal species such as the European bison and the Northern bald ibis as well as the general fauna of the diverse and species-rich continent of Europe. The need to protect nature and animals is made impressively clear through the power of images.

Honduran immigrants living in Mexico, teenage siblings Rocío and Ale must take over care of their two younger siblings after their mother is sentenced to prison on dubious grounds. Tensions grow between the pair as the decision must be made on whether to stay together in Mexico or split the family up to cross into the US to work.

In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years – until they are chased out and forced to adapt to life in the big city.

There is no description

Once upon a time, the Venezuelan village of Congo Mirador was prosperous, alive with fisherman and poets. Now it is decaying and disintegrating—a small but prophetic reflection of Venezuela itself.

Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.

Since the enactment of the Anti-Boryokudan Act and Yakuza exclusion ordinances, the number of Yakuza members reduced to less than 60,000. In the past 3 years, about 20,000 members have left from Yakuza organizations. However, just numbers can’t tell you the reality. What are they thinking, how are they living now? The camera zooms in on the Yakuza world. Are there basic human rights for them?

What if from one day to the next, you’re no longer seen, but instead are stared at? The leading characters in this multi-layered film have ended up in a new world where suddenly nothing seems to align. In their new lives in the Netherlands, they unintentionally provoke reactions on a daily basis. Even after many years, they still hear the same questions over and over again: where are you from, do you speak Dutch, do you tan in the sun?

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Britain's Special Operations Executive (SOE) provides trained agents, arms and other assistance to the European resistance groups fighting against Hitler. British agents, Captain Harry Rée DSO, OBE, Croix De Guerre, Médaille de la Résistance, aka "Felix", and Jacqueline Nearne, MBE, aka "Cat", recreate some of their adventures in France.

The little-known story of Ukrainian children torn from their homes in the crush between the Nazi and Soviet fronts in World War II. Spending their childhood as refugees in Europe, these inspiring individuals later immigrated to the United States, creating new homes and communities through their grit, faith and deep belief in the importance of preserving culture.

An unlikely collaboration between a forensic scientist from Texas and a group of Latin American students changes the course of forensic science and international human rights.

An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.

The challenges of the present, expectations for the future, and the dreams of those who experience the reality of public high school in Brazil. Through the voices of students, principals, teachers and experts, "Not Even In a Wildest Dream" offers a reflection on the value of education.

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.