After the disappearance of Aldemar his wife decided to get overall uncertainty by including him in the list of deaths in the 1938 Colombian National Census. Today, 83 years later, I repeat her. I try to find myself among the numbers in the digital database in order to finish the torture that has also implied my own disappearance.

In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and tone of Kiyoshi Kurosawa’s modern horror classic Cure, deploying a dizzying range of cinematic references to unravel the film’s eerie magic.

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.

With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.

This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why she is a superhero in her own way. (This short piece is included on the 2-Disc DVD for "The Incredibles", which was released in 2005.

A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.

In this experimental short film, Kristian Day collected artwork created by the public. He found the majority of the pieces at "Sharpie marker demonstration tables" and it took almost a year to collect the artwork. All pieces were created by chance with no prior thought. He originally intended on using the photos for a collage canvas piece, however after deciding that a short film would stand the test of time longer, he took individual shots of over 30 pieces. The drone music was created using a variety of simple sound generators & tapes that are being manipulated by delays, filters, and reverberation effects.

An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded scenes and archival footage, the short presents an unorthodox narrative to explore the themes of self-identification, identity, gender expression and androgyny.

ROAMERS accompanies different characters on their way through the countries and social media feeds of this world: From the celebrated video blogger from Palestine who quit his lucrative job at PayPal in favor of as much life experience as possible, to the former young top manager who gave up her business in Switzerland and her marriage for the adventure of a round-the-world trip, to the Argentinean couple who use their computer science skills acquired at IBM to distribute self-produced porn videos online "on demand" and thus finance their trip around the world. As digital nomads who become the creators of their impressive life stories on their own initiative, they are all sounding out the boundaries of a new era: between personal freedom and the dependence on algorithms and wifi, between self-fulfillment and self- exploitation - in search of meaning and support in a world that offers ever more possibilities and yet also seems increasingly fragmented.

Twenty-five films from twenty-five European countries by twenty-five European directors.

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The second part of the endless series about Moravia offers an even darker descent into the soul of Moravia, which is, however, intoxicating like a slightly delirious state after a sip of wine and chewing on a clod of mother earth. A visually distracting journey focused on the undercurrents of Moravian identity, whose echoes even Friedrich Nietzsche would not want to hear...

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An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.

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A documentary based on the mutual experiences of a trio of directors, which portrays life in the border village of Bystré during the last year of the millennium. The film concentrates on the exuberant social life of the community, including many bizarre recent customs, as well as on several very intimate moments in the lives of the inhabitants.

Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a film, a whirlwind of sounds and images. The fourth feature-length work by Simon Beaulieu, this film essay plunges viewers into a subjective sensory adventure—a direct physical encounter with the information overload of daily life. White Noise transforms the imminent collapse of our civilization into a visceral aesthetic experience.

Equal parts documentary, visual essay, experimental collage narrative, and parodic homage to and of all things Barbie, this caustic and exciting visual foray embraces the complicated terrain of feminist discourse, cultural criticism, and political rhetoric, as well as insights on gender, identity, and personal experience where all roads lead back to the phenomena that is Barbie.

90's era home videos of a Mexican father starting a new life in the United States