A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Adio is a young man able to control a condition that causes his involuntary transformation into objects based on his emotions until he meets Sophie.

A woman wakes up hanging upside down. When she screams for help, a phone rings and a voice helps her escape.

Trapped inside the Space Freighter/Refinery Dédalo, Siena tries to survive an infestation of diabolic creatures.

Adolfo Kaminsky started saving lives when chance and necessity made him a master forger. As a teenager, he became a member of the French Resistance and used his talent to save the lives of thousands of Jews. The Forger is a well-crafted origin story of a real-life superhero.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

The plot of the film takes place in a foreign company located in southern Serbia. The warehouse manager enjoys his free weekend, which is interrupted by a warehouse worker who invites him to come to the warehouse in order to have a serious conversation with a new client from London. The manager had no idea what had happened there and what is yet to happen in the warehouse.

For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.

As the sun goes down in the dark and terrifying Mutantland, hunters are lured into a forbidden zone in their quest for food only to find themselves candidates for the main course.

Battered Warsaw is getting back to life after the WW2 destruction. The ruins of the Old Town become homes once again.

A miniature parable about a young boy who misunderstands the function of a bird feeder.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

A 10-year-old boy and his father support themselves by pulling a cart through Bombay's chaotic traffic. One day when they visit the doctor, they are told that they should change jobs. A visual and sound intensive documentary about a nightmarish traffic situation beyond all control.

Repainting Cuba takes a critical look at communist Cuba, where both the facades and the aging regime were given a coating of colorful paint in connection with the 50 year anniversary of the revolution. Two young Cubans under house arrest talk about being imprisoned for dealing with foreign tourists in a society where gossip and backstabbing is endemic, and where the heavy varnish can’t conceal the cracks.

Keeper of the Mountains is a portrait of Elizabeth Hawley and her unlikely key role in the Golden Age of Himalayan mountaineering, her defiance of the traditional gender roles of her day and her decision to settle alone in Kathmandu in 1960, where she has famously lived life on her own terms ever since. Hawley, 91 and a former journalist, maintains the world's largest and most treasured archive of Himalayan mountaineering expeditions and her work is trusted by news organizations and publications around the globe. All this despite never having climbed a mountain herself.

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

Inside a block of flats, a young woman decides to act about something concerning her for a long time.

A struggling writer believes a secret from his past has come back to haunt him. Paranoia and guilt take over as he tries to figure out who or what has been plaguing him with increasingly violent attacks.

When Hannah decides that she's had enough trick-or-treating with her little sister on Halloween night, she finds herself in over her head as she goes searching for the things she lost in a haunted hotel.

A Mixe village is vulnerated when their musical instruments are stolen.