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Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

When many people think of Israel, it is often in terms of modern war or ancient religion. But there is much more to the Jewish state then missiles and prayers. In his debut as a documentary filmmaker, adult-film entrepreneur and political columnist Michael Lucas examines a side of Israel that is too often overlooked: its thriving gay community. Undressing Israel features interviews with a diverse range of local men, including a gay member of Israel's parliament, a trainer who served openly in the army, a young Arab-Israeli journalist, and a pair of dads raising their kids. Lucas also visits Tel Aviv's vibrant nightlife scene-and a same-sex wedding-in this guided tour to a country that emerged as a pioneer for gay integration and equality.

In November 2014 the Iconic club Madame Jojos closed its doors. This event being interpreted by many as the death knell of Soho.The gentrification of Soho affects the LGBT community and its Drag Queen sub-culture, but the cabaret atmosphere of the entire neighborhood in enormous ways. This active pursuit to destroy a bubbling and vibrant part of the city's heart is viewed by many as an atrocity akin to turning the lights off on Broadway. Over 3rd of London's music venues have been closed in recent years and no one noticed. An active movement to bring a halt to this disaster has begun to unfold with one organization after another emerging to fight for Soho. Organizations made up of citizens and celebrities have sprung up to combat this onslaught. Will they win this battle and save Soho?

Documentary on oil exploration, the phase before drilling.

A documentary about the lives of six transgender women in post-Franco Spain.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.

The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.

The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Director Jean-Claude Brisseau discusses the making of his film Les anges exterminateurs (2006) in an interview.

In the first century, after the death of Herod the Great, Judea goes through a long period of turbulence due to the actions of the corrupt Roman governors and the internal struggles, both religious and political, between Jewish factions, events that soon lead to the uprising of the population and a cruel war that lasts several years and causes thousands of deaths, a catastrophe described in detail by the Romanized Jewish historian Titus Flavius Josephus.

A young teacher in Zurich in the 1950s falls in love with a transvestite star but is torn between his bourgeois existence and his commitment to homosexuality. He joins a gay organization that is eventually seen as the pioneer of gay emancipation in Europe.

Kianoush Ayari’s film captures rare scenes of everyday life on the streets of Tehran in the months following the revolution of 1979.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.