The arrival of a stray horse triggers a series of events in Bernicia’s life that alters her world as she slowly takes on the persona of a cowboy. Through her journey, she must overcome several obstacles that threaten her newfound desires. EL VAQUERO is an uplifting drama about self-determination.

Emily returns home when her mother dies to only come across her estranged twin sister and her new boyfriend as they gaslight her into a new reality, fitting the boyfriend's needs.

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In the Valley of the Moon, follows a young man working as a hitman for the Italian mob in 1977. He takes a job in Petaluma, California, posing as a potential buyer at an open house to confront the realtor who he suspects has a sinister connection to his past.

Grigorij Efimovic Rasputin (1869-1916) the mystic and self-proclaimed holy man. The saint-demon and the simple peasant. About the plot against Rasputin, hated and feared at the highest levels of government because of his surreal influence on the Tsar.

Now the subjects of a despotic chief, far from having any favor to expect from him, as both themselves and all they have are his property, or at least are considered by him as such, are obliged to receive as a favor what he relinquishes to them of their own property. He does them justice when he strips them. He treats them with mercy when he suffers them to live. In a beautiful house, during a beautiful day, next to a library with no books, a table is set for the last supper of its inhabitants.

Golia is a former rugby champion suffering from dementia. every day he wakes up convinced that he is still young and is away with his team, only to learn that he is living inside a nursing home and has lost all contact with his wife and children. alessandro, another guest of the nursing home, is a former professor of ancient literature suffering from paraplegia. alessandro has one last ambition left: to help golia break out of the nursing home and reunite him with his family, overcoming the defense lines of the institution’s mean-spirited staff and showing the institutions how senility and illness are not valid pretexts for defining the social worthlessness of man.

Actor turned director Luigi Lo Cascio stars as the talented architect and fervent environmentalist Michele who has moved from Palermo to his ideal city, Siena. He holds a successful job and is living out a dream experiment of functioning one year without running water or electricity. Not surprisingly, he also displays a passionate opposition to cars and driving. One evening, after being forced to borrow his boss’ car in order to collect a colleague for a work function, Michele’s life takes an unexpected turn. In the blinding rain Michele hits something he cannot identify. After leaving a note on a parked car he believes he damaged, he continues down the road only to come across a dead body a few miles down which he later discovers belongs to one of Siena’s most important luminaries. Michele immediately calls the police, but in doing so, he unwittingly brings intense suspicion on himself as his uncertainty raises more questions than he has answers for.

The tale of an Irish writer who moves to Northern Italy, finding a new sense of tranquility in life after experiencing heartache.

Serbia, in the year 1910: Milena Strasek has lived with her 12-year-old son Stefan in a small village since the father abandoned the family shortly after Stefan was born. Many years of uncertainty concerning the man’s whereabouts have taken their toll: Milena Strasek falls seriously ill and dies, leaving her son alone in the empty house. The father appears the following night. He has come to take his son, but Stefan refuses to go with him. It is a fateful encounter, changing Stefan for the rest of his life.

Over a single day and night, a trio of friends within Berlin's bohemian community attempt to deal with the fallout from a revelation of infidelity. Insensitive choices are made which they can't retract, but instead must learn to accept.

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A businessman swims away from time and reality...

Justin is caught up in the mundane routine of everyday life. Can anything break him out of the cycle, or like most of us is he doomed to repeat it forever?

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The day of an artist who has to present one of his works is told through a continuous cinematic dispersion aimed at reproducing and making the viewer experience firsthand the mental dispersion inherent in the protagonist

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Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

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