Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

"Cut" is a documentary film by Eliyahu Ungar-Sargon which examines the subject of male circumcision from a religious, scientific and ethical perspective. Using cutting-edge research, in addition to interview footage of rabbis, philosophers, and scientists, Cut challenges the viewer to confront their biases by asking difficult questions about this long-standing practice.

Children as young as seven are being groomed to sell drugs for 'county lines' drugs gangs in towns and villages all over the UK. This film follows four young people trapped in this world.

The four adult heroes and heroines of the film, who were selected in a casting call posted on TV, speak candidly on camera from the very beginning of their memories. Through individual stories, they describe their childhoods, family backgrounds, life at school, and how they spent their free time. The stories complement each other and are intertwined; we see emotions and hear things that reveal the horrific DNA of domestic violence. The documentary addresses the issue of abuse with an emphasis on the entire social environment of the victims and the societal underpinnings. Typical of domestic violence is that victims often hide it within themselves; they do not talk about it, and sometimes they do not even admit it. But in the documentary, they were determined to speak out.

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A poignant all-Indigenous English and Cree-English collaborative documentary that breaks long-held silences imposed upon indigenous children who were interned at the notoriously violent St. Anne’s Residential School in Fort Albany First Nation, Ontario. Use of a homemade electric chair at St. Anne's and the incorporation of testimony about student-on-student abuse makes this documentary stand apart from other films about Canadian residential school experiences. This film will serve as an Indigenous historical document wholly authored by Indigenous bodies and voices, those of the Survivors themselves.

An investigation into accusations of teenagers being sexually abused within the film industry.

Two children accused parents and teachers of leading a paedophilic satanic cult, supposedly headquartered in secret rooms on the school premises. The story was not true. But once the fire was lit, it was hard to put out. Emily Turner’s film considers the real-world impact of an outrageous online conspiracy theory, exploring the importance of truth and the cost of lies.

Mariam, Asiya, and Anissa were 11, 7, and 5 years old when they were raped. The attackers were their paternal uncle, a neighborhood youth, and the nanny's son. They have no memory of the event. To protect them, their bodies developed traumatic amnesia. Years later, the memories returned, and they decided to file a complaint.

In her most recent film, Linda Kallistová Jablonská observes three girls growing up in a residential facility in Počátky, Czech Republic, over the course of ten years. She explores their dreams about liberty, the reality they must face as well as their ideas about their own future families. The sequel to her first longitudinal documentary about Adéla, Denisa and Pavla captures the rocky road to independence after leaving the facility, their reconciliation with the past, job search, new relationships, small joys and big disappointments. Not only does the director draw an empathic portrait of three young girls with no-one to rely on but themselves; she also explores the ways in which public institutions form young people’s attitudes to life.

The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.

On Fanø, Denmark, three young families have their lives brutally turned upside down when the municipality suspects them of having abused their children. The suspicion is unfounded, but the damage is done, and the families are now dragged through a process involving child interviews, police interrogations, and more. Is the law on protecting children from abuse too far-reaching, or is it simply the price some must pay to prevent serious cases of mistreatment and neglect?

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Gives voice to the experiences of Irish institution survivors and focuses on the life and upbringing of one survivor, Anne Silke. Silke was fostered out of the St. Mary, Bon Secours Mother and Baby Home in Tuam at the age of 9 to the Killileas, a prominent political family from Tuam. Untold Secrets recounts her often brutal and abusive treatment at the hands of her foster family and reveals never seen before interviews with fellow survivors. Although Silke is now deceased the documentary gives a posthumous voice to Anne and possibly some closure to her family.

Julia always said that her upbringing as a biological child in a foster family was a happy time. But something is wrong. In The Foster Family, we follow director Julia's journey back in time, where she, together with her parents Ewa and Lennart and the foster child Patrik, recollect the shocking events that changed their lives over thirty years ago. The children are at the center of this strong, touching and warm documentary about a system where you can love, but not too much.

Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship.

British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.

A group of aging former classmates begin a quest for justice when they learn from one another just how many of them had been abused as schoolboys.

In 1998, Natascha Kampusch was abducted in broad daylight at the age of ten and held hostage in a basement for 3096 days. When she escaped in 2006, she was met with mistrust. Explores her story and how conspiracy theories have impacted her life.

POLICE OFFICER JIM BYRNE, Canada's most honoured Safety Education Specialist brings you his famous TEN RULES, with which he has personally tested more than 25,000 students. Learn key strategies now taught in many schools and used by police working with the full NEVER BE A VICTIM Institutional Study Program. Develop your own personal streetproofing skills so you can train and test your family. Robert Gordon, who created this remarkable program in partnership with Metropolitan Police introduces this family video library against a backdrop of today's troubled society. TEACHING LIFE SKILLS FOR A SAFER COMMUNITY OFFICER JIM'S TEN RULES FOR STREETPROOFING • STRANGER MYTHS • ABDUCTION • BEING FOLLOWED • DANGEROUS PLACES • AVOIDING CARS AND VANS • GOOD TOUCHING-BAD TOUCHING