Juanito, a peaceful fan of bullfighting, has become picador's assistant to see from the same arena the show in which he brags he is one of the protagonists. Furthermore, he believes he has discovered in a neighbor a potential figure of bullfighting sphere.

Four real episodes told by their protagonists: Antonio Mejías "Bienvenida" tells the serious goring he suffered in the Plaza de Las Ventas and his recovery process. Álvaro Domecq Romero evokes the last days of the life of the mare "Splendid", the noble animal that was brave and sensitive companion of his father. Andrés Vázquez tells how the times of the "capeas" were in little villages. With him were many unknown kids, who found an anonymous and obscure death. Finally, Luis Miguel "Dominguín", who was with Manolete, in Linares, the afternoon in which he met his death, evokes that tragic afternoon and glosses the bullfighter's human virtues. The four protagonists have seen the death in one way or another and the four tell the indelible impression that remained on them.

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After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.

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"This is a story of fall: of falling into traps and for lies and scams, of falling in love and falling out of love, and of falling for your own lies and falling back into the old ways, spectacularly. Michelle enrols in a self-help course in the hope that she will make her married lover come to his senses and treats her right. When the chanting of positive self-affirmations – Peace! Friendship! Love! – descends into uncontrollable screaming and wailing, will the newly converted be able to see things in a new light or will she wrapped herself up in the shining armour of self-victimisation to keep her from hurting?"

The wife of a paralytic becomes involved in an extra-marital affair, with his permission.

When Mamhoud is invited to a conference to speak about his new war novel, 'Parental farm,' his aim to discuss war literature in general turns into a much more personal journey. Having lost ...

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In Budapest in 1957, one year after the failure of the Hungarian Revolution, a young Jewish boy whose mother has raised him to believe that his father will return from the camps has his hopes shattered when a brutish stranger appears on the doorstep to take his family back.

Jada, a curvy actress, makes an attempt to seek acting gigs after a rough stint out of work. Willing to perform in any low budget project, she finds herself agreeing to be in a feederism/mukbang film, being shot by a disturbing character who refers to himself as Fat Henry.

Homma, a shy and hard-working car mechanic, said goodbye to Mao (Maya Sawamura), a delivery health girl who has forgiven her heart for three years. This is because he started dating with an office lady named Yurie (Meguri) who he met at a matchmaking party and got engaged. Mao was a little jealous when he realized that he secretly loved Honma, but wished for the relationship between adults and the happiness of Honma. On the way home one day, Homma found a dirty kokeshi doll, cleaned it with a handkerchief moistened with water, and placed it on the flowerbed. That night, a strange young woman (Yui Kawagoe) visited the room. She forcibly went up to the room and said that she was a kokeshi doll...

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It is a docu-fiction tracing a series of events which spurred when a woman called Alice lost her teeth.

Robert jumped. Or maybe he slipped. For his friends the truth is difficult to contemplate. A film about love.

A group of young people helps people who died to fulfill their last wishes, embarking on an emotional journey into the world of spirits.

Makoto and Rage are high school classmates and are still close friends 10 years after graduation. Currently, Makoto is a serious office worker and was still dating a high school classmate Shiori (Ai Sayama), but the handsome Rage belonged to a small theater company and was aiming to be an actor. Even today, when they are talking in the usual riverside, Madonna Yui Okusawa (Yuki Megumi) from high school passes by. Rage had previously attacked her, but in the end, her feelings didn't come to fruition. Men who spend such ordinary days, but Makoto started dating a woman named Aika (Ruka Kanae) because of Hyun, and an audition of a famous movie director's work came to Rage...

Misato (Nana Aida) was a young lady who grew up in a wealthy family, but she married Kazuya Natsume (Takahiro Nomura) when she became pregnant. .. However, she has a miscarriage. As a result, Misato's heart was deeply hurt, and her husband and wife were also jerky. Father Kinoshita (Yutaka Ikejima), who was worried about his daughter's family, visits the Natsume family (Misato Studio). Kinoshita, who holds the chairmanship of a large company, built this elegant house for his daughter and his wife. Kinoshita is worried that Kazuya might think about divorce because he couldn't have a child, and he invites Kazuya to come to his company, but Kazuya finds the job of editing a magazine worthwhile. I refused because I was doing it.

The background of "Hero" is set in 2020: a sudden disaster that disrupted everyone's lives. When society face unemployment when families fall apart, when lovers are separated, when death is approaching quietly, and when a peaceful life suddenly undergoes unexpected changes, how will women respond? What are the vital and irreplaceable roles that men play in women’s lives and growth? The three female directors Zhang Aijia, Li Shaohong and Chen Chong used their unique female perspectives to explore and show people's plights and struggles in family, career, and love in special times.