The rural Taiwanese outer islands of Kinmen sit merely 2 miles off the coast of China. Kinmen attracts tourists for its remains from the 1949 Chinese Civil War. It also marks the frontline for Taiwan in its escalating tension with China.

In order to pursue a life different from the past, two musicians with different backgrounds leave Taipei. One is Tz-Fan Hsu, the head of the band, The Last Wave, and the other is Thomas, the driving force behind Sheng-Xiang & Band. The two landed in Kaohsiung to start a new musical life.

With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.

In Taiwan, there is a group of people participating in this race against time. They are hidden inside the film archive of New Taipei City’s “Singapore Industrial Park”, where the 17,000-plus film reels and over a million film artifacts have become their spiritual nourishment. Day after day, they shuttle back and forth inside, carrying their doubts, their learnings, and their faith. What they are doing is awakening these long-neglected film reels, then piecing together the no-longer-existent social atmospheres and lives of distant pasts recorded on them. And spending time in this archive has become everyday life for these film archivists and restorers.

One Country, Two Systems? No Way! say the youth of Taiwan. But China under President Xi Jinping wants more than ever to bring the island of Taiwan back into the fold, just like Hong Kong. Can the burgeoning democracy on China’s doorstep, driven by digital technology, resist the Middle Kingdom’s advances? To China Taiwan is a breakaway province that must return to the fold. To its 24 million inhabitants it is a sovereign state with its own constitution and democratically elected leaders. Now that Hong Kong has been brought into line, Taiwan remains determined to stand up as a vibrant, young democracy. But it won't be easy. Since the Sunflower Movement in 2014 when the young came out to prevent an economic agreement with China, citizen groups have been fighting for the transparency of institutions.

The first and only Taiwanese player for the New York Yankees, Chien-Ming Wang held many titles: American League Wins Leader, World Series Champion, Olympian, Time 100 Most Influential, and The Pride of Taiwan. He had it all - until a 2008 injury forever altered the course of his career. Late Life: The Chien-Ming Wang Story - named after the late sinking action on his signature pitch - follows the rise and fall of the international icon as he fights his way back into the Major Leagues through endless rehab programs and lengthy stints away from home, carrying the weight of the world on his battered shoulder. A poignant and intimate account of Wang’s steadfast quest, Late Life tells the story of a man who is unwilling to give up and unable to let go.

This film follows the lives of undocumented Vietnamese workers in Taiwan doing odd jobs to survive, after having been forced to flee their employers due to harsh working conditions and lack of medical care. How will living this way for more than a decade shape their lives?

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

This documentary film follows the journey of former student activist and current political staffer Chen Ting-hao after his decision to escape the cynical politicism of Taipei City to the political backwater of Matsu, an island group administered by Taiwan less than a dozen kilometers off the coast of China. The narrative follows Ting-hao as he reflects on how his political idealism fits in with everyday political reality and ponders Taiwan’s complex political landscape, Taiwan’s relations with a meddlesome yet surprisingly indifferent China, and the perspectives of Matsu residents on Taiwan-China affairs.

Resulting pic blurs the line between documentary and fiction as Yanagimachi explores the lives of a couple of groups of peddlers, and they appear to act out their personal dramas for the camera.

The essence of progress in civilization has always been handiwork. In traditional Chinese civilization, the emperor was supreme. Vested with the authority to enjoy the best of handiwork, all crafts used for residence, clothing, food, and travel were the most refined and splendid.

In 2013, the Golden Horse Film Festival celebrated its 50th anniversary. The ministry of Culture commissioned director Yang Li-chou to make a documentary about the history of Golden Horse. What is unique to this film is that it's not an ode to celebrities but about the role cinema plays in ordinary people's lives. It's a love letter to cinema, filmmakers and audiences.

As soon as he came to power in 2012, Xi Jinping clearly stated his ambition for a national renaissance. He will combine this with the construction of a powerful army and a certain vision of Chinese territory, which includes the reunification of Taiwan. In this quest, control of the oceans has become a crucial issue, and America an obstacle. In the South China Sea and the Pacific, the Chinese Communist Party has been pursuing a strategy to undermine American influence for the past decade. Relying on the active participation of maritime militias - fishermen trained by the military - China is creating a grey area between war and peace that destabilizes both its neighbors and the world's leading military power.

Taipeilove* is a documentary on the perception of homosexuality in the Taiwanese society. As Taiwan is the first country in Asia that is in the process of legalizing same-sex marriage, the documentary follows activists, politicians and experts in the Taiwanese society who have been fighting for marriage equality and navigating their lives through the hardship of coming-out, reaction of families, abandonment and finding love.

Upon learning of his father's terminal illness diagnosis, a young, autistic, hearing-impaired artist travels back to Taiwan with a filmmaker to make a film in his honour.

The Pearl Jam Movie!! That’s right. Made in 1995 by the band when Jack Irons was drummer and filmed over the course of their 1995 Far-East tour in Japan, Taiwan, Australia and New Zealand…it’s half tour documentary and half movie. This movie was apparently scrapped by the band at the final mixing stage for some unknown reason, seems completely unedited/uncut. It full of really wild and weird little skits by the band (like Ed and Jack acting out some strange Godzilla attack on the beach, Mike McCready's stage strip-tease), airplane, backstage & soundcheck footage of all the band members, the band on the streets & taking in the culture of the countries they’re visiting.

After 30 years of cold war, Taiwan and China finally opened cross-strait trade and tourism in 1980. However, through decades of political and educational vilification of their counterparts by the KMT and CCP, and despite close economic and cultural ties, what lies beneath the diplomatic relations is a disconnect and mistrust that cannot be denied. KE is a failed business in Taiwan who hopes to start over as a 'Taiwanese Expat' in Shenzheng, China with a Taiwanese company. Lili, a laborer from China, meets her Taiwanese husband online and moves to Taiwan in hopes of a better life. Both KE and Lili cross the straits in hope of achieving what they cannot find in their homeland. But how much do they really know about that country across the straits?

Giraffe-like construction cranes are avid eaters. They forage around in the woods and fields for their feeds: the collective longing for development and prosperity. As they crane their necks longer, they make the fantasy of progress more alluring. And that is what Chung-Ming Wang steps forward to fight. Left his stable life behind, he devoted himself into local environmentalism in his hometown Tamsui(Danshui), tried to keep it distant from developmentalism that Taipei had been suffered for long. Few years later, he decided to change his way of political participation. This documentary film depicts his third attempt to run in the City Council Election in 2014, including the difficulties and conflicts he encounters and the diverse imaginations toward progress. The film also tries to brings up an important question: do we need more edifices in our city, or we need to find a way to edify ourselves?

As dawn breaks over Taipei, a whole world comes to life around the Luzhou temple night market, only to be dismantled by sunrise. In COME HUNGRY, Oscar-winner Carol Dysinger creates a city symphony out of the rhythms, sounds, colors, and flavors of this ephemeral community that revolves around Taiwanese food, traditions, and identity.

A documentary film from New Hampshire Sea Grant following the stories of women in New Hampshire's traditionally male-dominated seafood and aquaculture industries, why they chose to work on the water, the challenges they face, and the reasons they've stayed.