A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

Hamlet/Horatio begins on an empty sound stage with the death of Hamlet. The action transpires in his last moment of awareness as the hero of Shakespeare's most famous play watches his life flash before him while his soul transcends all earthly conflict. Hamlet/Horatio is told from the perspective of Hamlet's closest friend and confidante, Horatio, who takes on the role of film director in order to fulfill his promise to dying Hamlet of telling the story of Hamlet's life so that the world will know of Hamlet's tragic sacrifice.

An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.

An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.

Imprisoned in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates -- including an older prisoner named Red -- for his integrity and unquenchable sense of hope.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Bill Parrish has it all - success, wealth and power. Days before his 65th birthday, he receives a visit from a mysterious stranger, Joe Black, who soon reveals himself as Death. In exchange for extra time, Bill agrees to serve as Joe's earthly guide. But will he regret his choice when Joe unexpectedly falls in love with Bill's beautiful daughter Susan?

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

After years of questioning why people fear him, Death takes on human form so he can mingle among the mortals and find an answer. However, events soon spiral out of control as he falls in love with the beautiful young Grazia, the only woman not afraid of him. As he falls in love with her, her father sees him for what he is and begs him to return to his duties. Death must decide whether or not to seek his own happiness or sacrifice it so that Grazia may live.

Jake is a writer. He is married to Maggie, but his marriage is in trouble. He cannot stop thinking about other women in his life, characters he invents conversations with. He is constantly talking to: his deceased wife Julie, his daughter Molly, his sister Karen, and his psychiatrist Edith. All he does is have imaginary conversations with real people that are at the moment out of his life. Maggie cannot stand his mind wandering off all the time and decides to separate for six months and at the end of six months they will decide whether or not to remain together. Jake has a few girl friends, but spends the six months, while waiting for Maggie, only talking to these imaginary people, and a few times to real people.

Vera is eleven years old and after the death of her parents she lives with her grandmother. She doesn't understand her at all, doesn't recognize her as her beloved son and is terrified of the genes of her daughter-in-law, who was "just" a saleswoman. Vera prefers to escape into her own world, where she doesn't hear her grandmother's lamentations, ponders good and evil, and her balls become Spanish nobles...

The other party is in disarray. Five men vie for the party nomination for president. No one has a majority as the first ballot closes and the front-runners begin to decide how badly they want the job.

Two derelicts occupy themselves as they wait for 'Godot' to make an appearance on Pozzo's estate.

Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aboriginal boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.

Unjustly accused of adultery in a scandalous divorce, Larita Filton flees to the French Riviera. She soon falls in love with a young Englishman, John Whittaker, and begins anew under an assumed name. But when John brings her home to his disapproving family, Larita’s past begins to resurface.

The plot centers on students involved in the Soweto Riots, in opposition to the implementation of Afrikaans as the language of instruction in schools. The stage version presents a school uprising similar to the Soweto uprising on June 16, 1976. A narrator introduces several characters among them the school girl activist Sarafina. Things get out of control when a policeman shoots several pupils in a classroom. Nevertheless, the musical ends with a cheerful farewell show of pupils leaving school, which takes most of act two. In the movie version Sarafina feels shame at her mother's (played by Miriam Makeba in the film) acceptance of her role as domestic servant in a white household in apartheid South Africa, and inspires her peers to rise up in protest, especially after her inspirational teacher, Mary Masombuka (played by Whoopi Goldberg in the film version) is imprisoned.

A mother and daughter spend a night together after the daughter reveals that she will kill herself by the end of it.

As the Civil War begins Ned Burton leaves his Southern love Agatha Warren and joins the Union army. He is later protected and saved from death by Agatha in spite of her loyalty to the South.

Jackie-O is anxiously awaiting the visit of her brother home for Thanksgiving, but isn't expecting him to bring a friend — and she's even more shocked to learn that this friend is his fiance. It soon becomes clear that her obsession with Jackie Kennedy is nothing compared to her obsession with her brother, and she isn't the only member of the family with problems.

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