A sensationalist television show unravels the sordid story of Luciano Fernández and analyzes the possible motives that led him to murder a child. (Inspired by a real event that occurred in the forest of Verrières, Paris, on May 27th, 1964.)

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Darren Aronofsky’s AFI short opens with angry slacker Dave sitting in a dreary, empty junkyard. Dave stares into space, sips beer, and beats the hell out of a cracked guitar. We quickly realize the emptiness of the dump parallels the emptiness of Dave’s life which consists of smoking weed, staring at television screens and watching school children. Dave’s friend Pete is shortly introduced, along with their friend, Ari, who despite calling her pals losers, doesn’t seem to accomplishing much herself. These three are going nowhere fast. They’re the amoebas of life… protozoa….

The man needs the trip. The job impedes him to do so. Then the man stuck to his chair! Loosely based on a short short story named "A Man Called Desk" from the book "Password Incorrect" written by Nick Name

Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.

The abusive professional relationship between Luis, an intransigent painter, and Ágata, his traumatized model, takes an unexpected turn when she finds a mysterious self-portrait of him…

A social worker recounts the case of Ella Jackson, a girl who sees a man standing behind her in the mirror

Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.

The boredom of a young middle-class woman at home a Sunday afternoon. Not to be confused with Carlos Saura's short of the same name produced in 1957.

In order to prevent further self harming, a young woman is forced to live in a new synthetic body, and must navigate intimacy in a physical form she fundamentally feels disconnected from.

A man without his own half of the body is looking for the other half in the opposite sex. As for the integrity of his body, so for the sake of emotional healing.

One chance encounter and a night spent together help Magda to discover what she probably doesn't need to live anymore and what she might need.

When Eva (14) goes to the lake with her older brother and his friends, she finds herself under her body’s control, of which she is still ashamed at her age.

When his business partner retires, an overly-attentive cafe owner, embraces the challenge of working solo.

Trapped in a nomadic world that makes less and less sense, Eliška yearns for a safer and more stable life for herself and her little brother Aleš. As illegitimate repo men begin frequenting their home, Eliška’s uncertainty about her and her brother’s future reaches a crescendo and she is forced to take action to protect Aleš from this shady and dangerous life.

Andi shares a deserted building with a group of fellow-squatters he considers his family. One day his sister turns up unexpectedly with her small son Levi, seeking refuge from her abusive boyfriend; she has nowhere else to turn. So Andi suddenly finds himself in the role of uncle, the squat is transformed into an alternative kindergarten, and the estranged pair become the siblings they once were.

The mother of ten-year-old Martina turns up late, just when the little girl is about to give up hope they might spend the afternoon together. As they have an amazing chemistry, she really wants to have her mum to herself, but all too soon she realises that her mother has not beaten her drug addiction and Martina finds herself in a hard situation yet again...

Libuše and her husband Jaromír have been together for a long time, perhaps too long. It seems their lives have become mired in a vicious circle of enervation, which neither of them wants to admit. The couple might have spent the rest of their days like this were it not for the arrival of a motivational package from an agency called The Sun…

Teresa is suffering from postnatal depression after the birth of her son. In an effort to find comfort elsewhere she temporarily moves back with her husband to her parents’ house. However, the young woman’s family home conjures up memories of a previous relationship and a past love that perhaps has yet to be extinguished.

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.