Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.

An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.

When two men compete to qualify in the Winter Olympics for the first time for Afghanistan, they realize that home is worth fighting for. In their wake they leave a passion for skiing and a hope for a brighter future. Where the Light Shines is the debut documentary from Pulitzer Prize-winning photographer Daniel Etter with stunning cinematography by Angello Faccini. It is produced by Academy Award nominees Marcel Mettelsiefen and Stephen Ellis along with Steven Sawalich from Articulus Entertainment. Filmed over four years, Where the Light Shines paints an intimate portrait of life in Afghanistan and shows the difficulties of trying to create change in a country that for generations has only seen war.

This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.

Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.

The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.

"Inside the Talibans" - What will happen if the Talibans return to power? Swedish journalist Magda Gad travels the Herat and Wardak provinces of Afghanistan to meet with the Taliban fighters.

On September 9, 2001, Commander Massoud, a hero of the Afghan resistance, was assassinated by two members of al-Qaeda posing as journalists. Two days later, the terrorist organization struck the United States. However, a few months earlier, during a visit to France, Commander Massoud had come to warn the West about the disastrous plans of al-Qaeda and the rise of the Taliban. He asked the West to exert pressure on Pakistan, a country that supplied arms, supported and sheltered the Taliban, but which was also a major buyer of French arms. He was not listened to.

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La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.

"Afghan Cycles" is a feature documentary about a generation of Afghan women who are pedaling their own revolution, aggressively challenging gender and cultural barriers using the bicycle as a vehicle for freedom, empowerment and social change.

Documentary exploring the experience of Soviet soldiers during the Soviet war in Afghanistan.

Filmed by the first-ever team of women video journalists trained in Afghanistan, this uncompromising film reveals the effects of the Taliban's repressive rule and U.S.-sponsored bombing campaign on Afghan women.

A documentary that reveals the underbelly of the global aid and investment industry. It's a complex web of interests that span the earth from powerful nations and multinational corporations to tribal and village leaders. This documentary offers unique insights into a multi-billion dollar world by investigating how aid dollars are spent.

The British Regisseur Phil Grabsky has documented an Afghan boy's life for 10 years.

In 1979, after the Soviet Union attacked Afghanistan, millions of Afghans were forced to leave their homeland to save their lives, and in the meantime, a huge wave of them immigrated to Iran.

Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.

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This film - without commentary and simply accompanied by local music - relates the 1969 ascent of the north face of Kohe Shakhawr, a Himalayan peak located on the border with Afghanistan, by mountaineers Benoît Mathieu, Jacques Soubis, René Thomas, Jean-Paul Paris, Isabelle Agresti, Henri Agresti, Roger Dietz, Jean-Pierre Frésafond, Paul Gendre, Claude Jager and Félix Magnin. As is often the case in Henri Agresti's films, there is an encounter with other peoples, other cultures, documented at length in the introduction. Then, after the interminable approach, the ascent begins: distribution of camps, successive assaults on the mountain, walking on steep scree and snowy slopes, climbing on icy walls... The arrival at the summit, without the aid of oxygen devices, seems to take place in slow motion: exhaustion mixes with the joy of the victorious mountaineers who will celebrate their success on their return to base camp on August 24, 1969.

The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.