6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

There is no description

There is no description

There is no description

In a hybrid film, both documentary and fiction, five young women describe the feeling of grief when losing a parent at a young age. Anna returns to her father's home, a year after his death. In one weekend, she lives through a storm of emotions as these may come and go in the process of grief.

Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.

Knocking opens the door on Jehovah's Witnesses. They are moral conservatives who stay out of politics and the Culture War, but they won a record number of court cases expanding freedom for everyone. They refuse blood transfusions on religious grounds, but they embrace the science behind bloodless surgery. In Nazi Germany, they could fight for Hitler or go to the concentration camps. They chose the camps. Following two families who stand firm for their controversial and misunderstood Christian faith, KNOCKING reveals how one unlikely religion helped to shape history beyond the doorstep.

A sequence of bucolic black-and-white fragments of the southern Tuscan countryside opens a portrait of a peaceful daily routine, of reconciled old age spent in a sun-drenched idyll. Without a hint of emotion, Jochen, aged seventy, outlines the unsettled life of a retired drug smuggler, the life of a person with two stories – one as an outlaw, the second as the respectable head of a family.

An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.

The director, who has always been viewed as the black sheep in her family, sets out to the Belarusian town of Vitebsk to talk with her parents about previous grievances and topics that were considered taboo. The effort to find a common language, which runs into stormy emotions and the inability to voice honest opinions, is captured through both personal moments and detailed shots of the protagonists’ faces.

In 2012, violent conflicts broke out between the Muslim Rohingya and the Buddhist majority in Rakhine State on the west coast of Myanmar. The government subsequently deported Muslims and imprisoned them in a camp on the outskirts of the city. The documentary looks at the lives of neighbours on both sides.

In her autobiographical documentary, the young director uses cartoon impressions, photographic memories, and the various stages of baking a cake to draw the viewer into her own stream of consciousness, and using images full of kindness, tenderness, and playfulness, she deals with the sadness that began during a children's birthday party many years ago.

A shockumentary mixtape consisting of four videos taken off the internet. Includes a real grave robbing tutorial, an actual dark look in the inside of a mortuary, a man who delivers "just desserts" to his family and a hunting video for innocent small creatures.

Acclaimed director Francis Ford Coppola, with the help of a passionate team of film students with a shared dream for the artistic potential of live digital cinema, work towards realising the director's 'Distant Visions' live-cinema experiment.

Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.

A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”

A young man living with his parents in Wisconsin comes face to face with a terrifying monster while searching for the elusive cryptic known as the Hodag.

In a quiet and snowy Chechen village, mother tells her daughter about the return of Zara – their relative, who left this place 20 years ago. Outside, the whole world is hidden in a thick white fog. For both women, the upcoming meeting is a bright event in their dull daily life that they are very much looking forward to.