An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

This shows physicist Stephen Hawking's life as he deals with the ALS that renders him immobile and unable to speak without the use of a computer. Hawking's friends, family, classmates, and peers are interviewed not only about his theories but the man himself.

In a rare interview, Katharine Hepburn shares her memories and memorabilia.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

Spy Capital is a documentary exploring Vienna's deep-rooted espionage history, establishing the city as a key hub for international spy operations over the past 150 years. Directed by espionage expert Boris Volodarsky and produced by Dennis Dewall, the film spans from Vienna's 1873 World Exhibition to espionage tied to the 2023 Russia-Ukraine conflict. Featuring interviews with prominent figures like Christo Grozev and Gert Polli, it also includes dramatic reenactments of historical events. Notorious cases such as Colonel Alfred Redl, a Russian double agent, are highlighted. The film delves into Vienna's pivotal role in intelligence during the World Wars and the Cold War. With striking visuals and advanced technology, Spy Capital: Vienna immerses viewers in a blend of history and drama, offering a thorough look into the covert world of spies that has shaped the city.

30 years after Basic Instinct, Sharon Stone is still stigmatized for her role as a sexual psychopath. But the Oscar nominee has always fought against domination. She embodies the independent woman of the 21st century, who refuses to be invisibilized and a "passive" object, subjected only to the male gaze.

In 1968, a convoy set off to transport a Calandria, the 70-ton core of a Canadian nuclear reactor, to Rajasthan in India. Even the largest semi-trailers could not keep up with this transport, which drove over specially reinforced roads and through city walls that had been demolished to make room.

A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).

Produced and directed this documentary for BBC in the 1980’s, about David Gulpilil, acclaimed Australian Aboriginal actor, dancer and musician. The film shows how Gulpilil is always working to bridge the gap between the tribal Aboriginal and Western worlds. He divides his time between a traditional tribal lifestyle and his artistic work, which has included major film roles, collaboration with contemporary dance and music groups and teaching Aboriginal dance and culture. Bill and David travel to Hollywood where David was the most popular Australian in the world at that time, with FOUR films playing in America – WALKABOUT, STORM BOY, THE LAST WAVE and MAD DOG MORGAN. After relating to both the black and native American cultures and filming a quick scene for a big Hollywood picture, he pines to head back through the Outback to his beloved Arnhem Land. Edited by Simon Dibbs and shot by Ray Henman.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

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A behind-the-scenes look at the production of Baby Assassins: Nice Days.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

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In celebration of his ninetieth birthday, Sir David Attenborough shares extraordinary highlights of his life and career with broadcaster Kirsty Young, including the inspiring people he has met, the extraordinary journeys he has made and the remarkable animal encounters he has had across the globe. Joined by colleagues and friends, including Michael Palin and Chris Packham, Sir David shares some of the unforgettable moments from his unparalleled career, from capturing unique animal behaviour for the first time to the fast-paced advances in wildlife filming technology, as well as stories of the wonder and fragility of the natural world - stories that Sir David has spent his life exploring and championing.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

Architecture student Bruna wants to renovate the convent located in the center of Piazza Magione in Palermo. This means dealing with the joys and contradictions of a square that is above all a community: there are the people who live in the buildings around it, there are young people who gather there, and there is also an association that takes care of the place and the events that are organized there. From a situation of apparent simplicity, Bruna, however, gets lost in the unsolvable enigma of bureaucracies and in the tension of an ambivalent risk: would a renovation be valorisation or denaturalization?