"Everybody should have a home. If you punish a nation, this is so abstract, it's very mean to use your power to put another country in your control... Instead of punishment, maybe we should have love." Eliane from Chile, Milad from Iran, and Georgia from Greece, three migrants in the UK and their thoughts on love, home, family, and Shakespeare's Romeo and Juliet.

Filmmaker and her mother, a village housewife: their experiences of life, abusive marriages, violence, and home. Although it’s a personal story, it could be the story of countless women in a patriarchal society of Bangladesh.

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The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.

My parents were real estate developers and dealers in the 1980s. They achieved the ‘middle class dream’ thanks to the development boom. However, the Asian financial crisis swept everything away.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

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Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.

A family embarks on an annual tormenting journey along with 130 million other peasant workers to reunite with their distant family, and to revive their love and dignity as China soars as the world's next super power.

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The 94-year-old Robert Frank’s unique recordings of his fellow artists Harry Smith and Allen Ginsberg, which he had salvaged from his own archive for Harry Smith at the Breslin Hotel.

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A short documentary on a grandson returning home to visit his aging grandmother who was crying to see him on the phone.

Dunchon Jugong Apts. at the edge of the metropolis, Seoul. It has been over 10 years since discussions of rebuilding these old apartment complexes began. The inhabitants tell us about their soon-to-be-demolished houses and apartments. Some of them have spent long spans of time here and some of them short. Some people are now raising daughters in the house they lived in since their childhood, some families came from other places and struggled to adjust. Each add their different forms of love to this space in their own way. As the long-postponed reconstruction nears reality, the day-to-day scenery of the apartment complexes and households is quietly coming to a close.

Moving Day tells the story of the people who were left outside – quite literally – during a global pandemic. With the rise of Covid-19, shelters closed, jobs were lost, and homelessness in "Victoria B.C." (unceded L'kwungen Territories), swelled. A community formed in the city’s biggest park and as they learn of an ambitious plan to house everyone by March 31, 2021, uncertainty in the park, and in their lives mounts.

Charlie Luxton presents the world's 20 weirdest, most fascinating and jaw-dropping homes, from a house shaped like a beagle to a home in a New York dumpster and Pierre Cardin's space-age summer house.

There is a south-facing house in Gyeonggi Province. In this house, there are four people: my mom, dad, grandfather, and me. They spend their days in their own space. Sounds traverse the house, both from inside and out.

Even the most loyal admirer of Tom Jobim, the most documented Brazilian artist throughout the world, cannot imagine the surprises he will encounter in this film. It contains previously unreleased pictures and images captured for 15 years by Ana Jobim, his wife, that show details of the life and work of Tom Jobim. Shot in New York, Rio de Janeiro and the family ranch in Poço Fundo, the film shows his intimacy with his children, the birth of important songs, parties at home with other musicians, and even a unusual Jobim in pajamas, in an “expedition” in the woods. “When someone visits the intimacy of a great artists, possibly the distance between him and the myth is felt to be smaller. For me it is the opposite; the distance becomes greater and I have more conscience of the myth”, says Ana.

Kirby, on the outskirts of Liverpool, England, October 1972. A chronicle of the fourteen-month strike by thousands of tenants to protest against the £1 increase in council house rents due to the Housing Finance Act.