The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.

Edeltraut Hertel - a midwife caught between two worlds. She has been working as a midwife in a small village near Chemnitz for almost 20 years, supporting expectant mothers before, during and after the birth of their offspring. However, working as a midwife brings with it social problems such as a decline in birth rates and migration from the provinces. Competition for babies between birthing centers has become fierce, particularly in financial terms. Obstetrics in Tanzania, Africa, Edeltraud's second place of work, is completely different. Here, the midwife not only delivers babies, she also trains successors, carries out educational and development work and struggles with the country's cultural and social problems.

Naomi Kawase's documentary about Nishii Kazuo, a photo critic. He is the last chief editor for the Camera Mainichi magazine, rushing through his time with Araki Nobuyoshi and Moriyama Daido as provocative artists in the photograph world.

A documentary about the corrupt health care system in The United States who's main goal is to make profit even if it means losing people’s lives. "The more people you deny health insurance the more money we make" is the business model for health care providers in America.

In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.

When Covid-19 hit New York City in 2020, filmmaker Matthew Heineman gained unique access to one of New York’s hardest-hit hospital systems. The resulting film focuses on the doctors, nurses, and patients on the frontlines during the “first wave” from March to June 2020. Their distinct storylines each serve as a microcosm to understand how the city persevered through the worst pandemic in a century

A movie about the education for nurse told from Bente's perspective. She starts at the preschool at Rødkilde Højskole at Møn and comes from there to a hospital, where student time begins. After three years, Bente is trained and can get the nursing needle attached to the robe.

This documentary film includes never-before-seen footage and exclusive interviews to tell the story of Charity Hospital, from its roots to its controversial closing in the wake of Hurricane Katrina. From the firsthand accounts of healthcare providers and hospital employees who withstood the storm inside the hospital, to interviews with key players involved in the closing of Charity and the opening of New Orleans’ newest hospital, “Big Charity” shares the untold, true story around its closure and sheds new light on the sacrifices made for the sake of progress.

Focuses on the state of the Quebec health system in the early 1970s. This film reveals the harsh reality of emergency rooms. There, medical teams, facing a serious shortage of staff, are facing a real invasion of patients. The technical means, often insufficient, make the task even more difficult.

We aren't dying the way we used to. We have ventilators, dialysis machines, ICUs-technologies that can "fix" us and keep our bodies alive-which have radically changed how we make medical decisions. In our death-denying culture, no matter how sick we get, there is always "hope." Defining Hope tells the story of patients dealing with life-threatening illness as they move between ICUs, operating rooms, hospice care and home. Diane is a nurse caring for end-stage cancer patients when she is diagnosed with ovarian cancer herself. 23-year-old Alena undergoes a risky brain surgery that destroys her short-term memory. 95-year-old Berthold lives with his elderly wife who struggles to honor his wish of dying peacefully at home. Defining Hope follows these patients and others- and the nurses that guide them along the way- as they face death, embrace hope, and ultimately redefine what makes life worth living.

After a horrific backcountry accident leaves professional snowboarder Mark McMorris in the ICU, he fights for his life and faces an existential crisis.

A symmetrically divided building: on one side, an important public hospital, on the other, a bewildering ruin. On the horizon, Rio de Janeiro, public health, education and Brazil’s aged modern project. Shot entirely in the monumental and only partially occupied modernist edifice of the University Hospital of UFRJ. A material metaphor of the Brazilian public sphere and its political maze. A synthesis architecturally expressed of the modernist utopia/dystopia.

Stresses recognition and treatment of drug abuse emergencies, accurate identification of symptoms, and immediate clinical procedures. Presents scenes of actual cases in the emergency room and adjoining physician's offices of Beth Israel Medical Center in New York City. Viewers observe emergency treatment of patients in the major classes of drugs commonly abused, opiates, depressants, stimulants, and hallucinogens. The film demonstrates to health professionals that successful management of drug overdoses can save most lives and avert additional organic and psychiatric complications.

Hospital staff are reporting more violence and anti-social behaviour than ever before. In 2015, 8 staff were assaulted every hour – a new record high. At The Queen Elizabeth Hospital in Birmingham – one of the UK’s biggest hospitals – they think they have the answer. Here a private security force of 46 uniformed guards, and a sophisticated CCTV system, keep staff and patients safe. A colourful mixture of characters ranging from ex-soldiers, to bouncers, to former elite sportsmen, it’s the security team’s job to keep the hospital running smoothly. With more than 2 million visitors they have to deal with all aspects of crime and anti-social behaviour. All against a back drop of life changing and life saving procedures.

Phases of Matter follows living and inanimate residents of a teaching hospital in Istanbul, moving from the operating room to the morgue, between life and other states, the real and the virtual.

The COVID crisis triggered a real war against the virus. Civilian or military, medical, paramedical or logistical personnel all joined forces to try to deal with it. At the Hôpital d'Instructions des Armées in Percy, in the south of Paris, this real tour de force is both human and technical. On every floor, the staff was confronted with this crisis situation requiring cohesion, adaptation, commitment, immediate decisions, unprecedented actions... with a common objective: to unite to save lives. What has this crisis changed in their profession?

Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.

This biographical docudrama traces the life of Dr. Albert Schweitzer, from his birth in Alsace, up to the age of 30 when he made the decision to go to French Equatorial Africa and build his jungle hospital. The latter half of the film encompasses a full day in the hospital-village, following the octogenarian Samaritan in his daily rounds.

A variety of patients are brought in by ambulance 24 hours everyday. In Japan, ambulance as a part of municipal fire departments, do not charge for transportation to hospitals. Under the motto of "emergency care that never refuses," the Ekisaikai Hospital in Nagoya accepts everyone from the elderly with no relatives to those in need. However, the number of ambulances carrying critically ill patients reached a record high due to the pandemic. Patients rejected by other hospitals are pouring into the Ekisaikai Hospital, and the beds are filling up fast... Documentary filmmaker Takuro Adachi observes doctors and patients in various generations and background, and listens to their real voices.

At the consulting service for immigrants at the Avicenne Hospital in suburban Paris, we observe the sorrow and powerlessness of the immigrants who come here.