Examines the strained dynamic between the three wives of the polygamous Mohammadi family, as cash-strapped Heda seeks to add a fourth wife.

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.

Challenging the Western view that Islam inherently represses women’s rights, journalist Samira Ahmed travels across the world examining Islamic customs as they relate to women. In this two-part series, Ahmed explores whether current Islamic customs such as polygamy, honor killings, and requiring women to wear the hijāb (veil) are actually rooted in the Quran.

'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.

Exclusive access to chief diplomat of the EU Federica Mogherini as Europe faces a crumbling world order.

An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.

After bassist Jason Newsted quits the band in 2001, heavy metal superstars Metallica realize that they need an intervention. In this revealing documentary, filmmakers follow the three rock stars as they hire a group therapist and grapple with 20 years of repressed anger and aggression. Between searching for a replacement bass player, creating a new album and confronting their personal demons, the band learns to open up in ways they never thought possible.

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

In the mountains of Chiapas, a rebel experiment in autonomy continues to thrive – thirty years after its declaration of war against the Mexican state. ¡Ya Basta! 30 Years of Zapatista Autonomy, a Modern Insurgent documentary, explores the legacy and future of the EZLN, reflecting on how a masked, rural rebellion reshaped Mexico’s political landscape and inspired activists across the globe. What does revolution look like when it refuses to seize state power? And what can the world learn from a community that continues to build its own system from the ground up?

Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.

Running Movie is a documentary film that focuses on Israeli long-distance runner Ayele Seteng (a.k.a. Haile Satayin), the oldest marathon runner to compete in the 2008 Summer Olympics in Beijing, and his efforts to participate in the 2012 Summer Olympics in London. Satayin has been a long-distance runner since he was a young boy in Ethiopia, but he only became a marathon runner after immigrating to Israel in the early 1990s. Now, at the age of 55, he keeps on running. We follow him as he practices in Ethiopia, far from his wife and eight children, and witness his moments of victory and defeat, as he competes in marathons around the world—from Berlin, Germany, to Tiberias, Israel.

The film interweaves the personal narratives of four Kashmiri artists, three of whom - Syed Mujtaba Rizvi, Hina Arif and Zeeshan Jaipuri - are children of the conflict, their impressionable adolescent years years landing right in the middle of the region's most violent period in the 90s. The fourth character, renowned painter and art teacher Masood Hussain, grew up in a time of relative peace before becoming witness to Kashmir's tragic transformation. While their individual traumas are unique, they are connected by their pursuit to process this splintered world through unfiltered artistic expression.

The Holocaust is one of the most documented, witnessed and written about events in history, so why is Holocaust denial back on the political agenda? What has happened in the 75 years since the liberation of the camps to have so skewed the picture? And, if it matters, why does it matter?

The region of Lake Turkana, located in Kenya and Ethiopia, is considered to be “the Cradle of Humankind”. Among other finds, primate fossils from millions of years ago have been discovered in the region. But what about the region’s modern inhabitants and their relationship to their environment? Iiris Härmä, whose previous work includes the award-winning Leaving Africa, had the chance of joining Helsinki University’s researchers, Álvaro Fernández-Llamazares and Mar Cabeza, on their pre-pandemic trip to study the Daasanach people’s relationship to their environment through traditional animal tales. The researchers hope that storytelling would help to bridge the gap between people’s everyday lives and conservation efforts.

The residents of Bucha, Ukraine, are rebuilding their city from the rubble after surviving the horrors of Russian occupation. A newly married couple, a schoolgirl, a city official, and an elderly housewife have all endured the painful experiences of war, yet they manage to hold onto hope and solidarity. But how do you rebuild in the wake of growing trauma, especially with war still raging in your country? As time hopes for a peaceful life fade, they must grapple with mounting tensions within their communities. Shot over a three-year period, the film is a follow-up to When Spring Came To Bucha, as five protagonists navigate the complex terrain of inner conflicts, trauma, and a longing for justice, posing questions about the future of a society at war.

Short ethnographic documentary showing a leopard dance based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).

Short ethnographic documentary showing some everyday life scenes based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).

When a massive Chinese factory complex attempts a high-stakes expansion in rural Ethiopia, three women in search of prosperity have their faith in industrialization tested to the limit. Filmed over four years with singular access, Made in Ethiopia lifts the curtain on China’s historic but misunderstood impact on Africa, and explores contemporary Ethiopia at a moment of profound crisis. The film was awarded the Jury Special Mention at Tribeca Festival.