In this film a young man and his curmudgeonly grandfather are going 1,800 km to northern Russia in an old Zhiguli car, hoping to find the grave of their great-grandfather, who was deported. The grandfather Andris is sceptic over the lofty quest, initiated by his grand-son, as it’s not known what awaits them at their destination. Andris thinks they won’t find anything and will come back to Latvia without ever learning what happened to his father. However ever-optimistic Kārlis wants to use the journey not only to find answers about the past but also become closer to his grandfather who raised him. They both lost their parents as children.

For many generations people in the Omo Valley (tribal southwest Ethiopia) believed some children are cursed and that these 'cursed' children bring disease, drought and death to the tribe. The curse is called 'mingi' and mingi children are killed. Lale Labuko, a young educated man from the Kara tribe was 15 years old when he saw a child in his village killed and also learned that he had 2 older sisters he never knew who had been killed. He decided one day he would stop this horrific practice. Filmed over a five year period we follow Lale's journey along with the people of his tribe as they attempt to change an ancient practice.

Sparked by the true story of Aya, a four-year-old Jordanian girl killed by her father because he believed her to be possessed, filmmaker Dalia Al Kury launches a fascinating investigation into a controversial and little-known aspect of Islamic culture: belief in djinn. The djinn are believed to be supernatural creatures that occupy a parallel world to ours and their emergence is associated with sexuality, political unrest, poverty and mental illness. The taboo subject of demonic possession remains broadly unresolved in the hearts and minds of some Muslims due to its complex and uncomfortable nature. Using a subjective, “undercover” style, Al Kury journeys into the obscure world of exorcists and the possessed, confronting their traditions and rituals. It makes for a telling ghost story that bares the filmmaker’s and her society’s subconscious underbelly.

Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.

Superstitions are examined in the context of mid-20th century America. Walking under ladders, spilt salt, stepping on cracks, haunted houses, voodoo dolls, and such are used to illustrate the widespread belief in the supernatural.

This film probes the activities of the bezvests.lv NGO that looks for missing persons and instructs others on how to find them. Since they started in 2009, they’ve helped find more than 90 people who had gone missing. It follows volunteers during training and on a search mission – theirs is a nerve-wracking task as in many cases they only locate the expired body of the missing person.

I enjoy religion, I appreciate belief systems and how they offer structure to people's lives. I also appreciate how spirituality manifests itself in Asian cultures as this almost earthbound presence guiding people through every day life and when they need an extra bit of help they need only ask whichever deity holds dominion over their desire. Here is an experimental film I made with videos from my iPhone. Shot across Taiwan and South Korea. An experimental film I made with videos from my iPhone. Shot across Taiwan and Korea. My aim was to explore success in how it pertains to every day life, the satisfaction of small moments, spirituality, superstition, and daily rituals.

Deniss is a Russian-speaking young man working at a fast food chain and spending his days in a small, gloomy apartment where all the things still remind him of his dead grandmother. Once a week he takes the stage, becoming a stand-up comedian. His jokes come from his life, which might be called dull as well as bleak, and, as he puts it, his ‘uninteresting biography’.

The documentary chronicles the life stories of two brothers, Kristaps and Krists. Kristaps, the elder brother, is disabled and has trouble talking, but he can rap. His younger brother Krists is one of the best freestyle BMX bikers in Latvia.

Lords of Riga allows to see an insight into a passionate subculture of bike couriers. Weaving their way through the urban traffic, they have become silent and sometimes unnoticed witnesses of everyday life in Riga as well as examples of our modern-day society. What is freedom to this bunch of rebellious messengers and where it ends?

“Hike '44" is a personal story by director Lauris Abele and cinematographer Marcis Abele about how to maintain humanity when the world falls apart. The protagonist of the film, Melita Abele (89), retraces her refugee path from 1944, when, at the age of 14, she had to leave her home at the beginning of winter. Asking strangers for shelter, spend nights in the woods until she found refuge and warm hearts. Through the use of animation, the viewer will be guided through Melita's memories on a journey through recent and present-day Latvia until a series of events brings Melita to what she has been trying to accomplish for 75 years.

In Punxsutawney, Pennsylvania, Groundhog Day reigns supreme. 134 years strong, for a single morning in the dead of winter, visitors gather to witness Punxsutawney Phil’s vision for the future. But when a global pandemic forces the ceremony to go virtual, the town’s residents must confront a moment of collective uncertainty.

The film follows a thirty-year-old man’s efforts to introduce radical changes in his own life: to start visiting a therapist and preparing for the demolition of his bragging childhood home. Story chronicles the troubled relationship between Mārtiņš and his mother, just as he is about to tear down his childhood home.

The documentary explores issues of beauty and acceptance in a culture increasingly saturated with idealised and unattainable ideals of femininity. It is a story about the world of young girls in today's Latvia, based on conversations about girls' attitudes towards the world and their place in it.

Exploring the popular film series and several tragedies amongst the cast members.

Walker takes us on a personal journey into a world of myth and imagination that he learned from his grandmother. He travels from the Moors of Devon and the Highlands of Scotland to the brooding Celtic landscapes of Ireland and the intimate hills of Cape Breton, in his search of this potent “otherworld” of the imagination.

The three speakers represent two of the dialects, with the most common one - the middle dialect spoken in Riga and central parts of Latvia - not featured in the film. In intimate surroundings, a farmer, a schoolteacher, and a herder of ostriches talk about perceived differences between Latvian speakers, and about language policy and their lives.

Prayer for a Home shows how everyone needs shelter and a home – people in Latvia, Europe and troubled regions throughout the world. The film relates the story of the distinguished Latgalian poet Anna Rancāne and her family – her daughter Terēze, her grandson Daniel, and Daniel’s father, Dara Muhammad Ali – who are trying to stick together despite unfortunate circumstances. Even though Terēze and Anna are Catholic, while Dara is a Muslim from Kurdistan, their love transcends religious, national and cultural prejudice. However, due to circumstances beyond their control, the family is not destined to remain together, despite doing everything they can to stay close.

The documentary “Residents” probes problems in Latvia in general and Latvia’s medicine in particular with the story of two energetic young interns, Kārlis and Laura.

In a working-class neighborhood of Naples, a woman works as a sorceress and healer. Gianni spends a day with her, observing her work with poor clients, the sick, those suffering from love, and, of course, the superstitious.