An all-star cast lead by Richard Dreyfus perform sketches celebrating the bicentennial of the U.S. Constitution, including new animation done by Disney.

When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

"The Last Dragon" is a nature mockumentary about a British scientific team that attempts to understand the unique incredible beasts that have fascinated people for ages. CGI is used to create the dragons.

Journalist Laurence Haïm, a 25-year U.S. correspondent, explores the complexities of this powerful nation. Following the presidential race between Kamala Harris and Donald Trump, she documents Trump’s campaign, the devotion of his supporters, and his appeal to the most religious and conservative wing of the American right.

A young mother’s mysterious death and her son’s subsequent kidnapping blow open a decades-long mystery about the woman’s true identity, and the murderous federal fugitive at the center of it all.

Follows Long Island’s Mary Lamont Band on their groundbreaking 23,000-mile tour in six cities and provinces across mainland China in 2002.

A portrait of five St. Petersburgians and their connection to The Hermitage.

Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.

Barack Obama launched into our national consciousness at the 2004 Democratic National Convention and ever since, he's delivered messages of patriotism, unity, and hope through the power of words. But of all the speeches he's given, six in particular may define his legacy as, in historian Doris Kearns Goodwin's words, "one of the best writers and orators in the presidency." Interviews with eminent historians and key figures in his writing process give rare insights into these iconic speeches, as well as the Obama presidency and the man himself.

This documentary explores two horrific stories. With haunting interviews with the killers, plus emotional exchanges with the daughters.

To celebrate its 250th anniversary, this documentary tells the story of one of the world’s greatest museums, from its foundation by Catherine the Great, though to its status today as a breathtakingly beautiful complex which includes the Winter Palace. Showcasing a vast collection of the world’s greatest artworks together with contemporary art galleries and exhibitions, it holds over 3 million treasures and world class masterpieces in stunning architectural settings. This is its journey from Imperial Palace to State Museum, encompassing a sometimes troubled past, surviving both the Revolution in 1916 and the siege of Leningrad by the Nazis in 1941-44.

The ninth opus of his Walker Films series, which was shot at Centre Pompidou.

Trump Card is an expose of the socialism, corruption and gangsterization that now define the Democratic Party. Whether it is the creeping socialism of Joe Biden or the overt socialism of Bernie Sanders, the film reveals what is unique about modern socialism, who is behind it, why it’s evil, and how we can work together with President Trump to stop it.

Paying tribute to some of America's only surviving drive-ins – and those who keep them running – this heartfelt documentary captures efforts to preserve these nostalgic theaters in small-towns across the country.

How does art survive in a time of oppression? During the Soviet rule artists who stay true to their vision are executed, sent to mental hospitals or Gulags. Their plight inspires young Igor Savitsky. He pretends to buy state-approved art but instead daringly rescues 40,000 forbidden fellow artist's works and creates a museum in the desert of Uzbekistan, far from the watchful eyes of the KGB. Though a penniless artist himself, he cajoles the cash to pay for the art from the same authorities who are banning it. Savitsky amasses an eclectic mix of Russian Avant-Garde art. But his greatest discovery is an unknown school of artists who settle in Uzbekistan after the Russian revolution of 1917, encountering a unique Islamic culture, as exotic to them as Tahiti was for Gauguin. They develop a startlingly original style, fusing European modernism with centuries-old Eastern traditions.

Bouncing between Europe and the United States as often as she would between lovers, Peggy Guggenheim’s life was as swirling as the design of her uncle’s museum, and reads more like fiction than any reality imaginable. Peggy Guggenheim – Art Addict offers a rare look into Guggenheim’s world: blending the abstract, the colorful, the surreal and the salacious, to portray a life that was as complex and unpredictable as the artwork Peggy revered and the artists she pushed forward.

Documentary tour of the "Rembrandt: Late Works" exhibit at the National Gallery, London and subsequently at the Rijksmuseum, Amsterdam.

People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?