A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.

A young drag queen from Andalusia exposes the difficulties of adding aspects of her homeland culture to her artistic expression.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

My Trip to Miami follows a well-meaning, misguided, tourist as he tries to self-actualize via Trip Advisors algorithmic script. My Trip to Miami is a documentation of a fantasy, a failure in image-based expectations.

A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)

Art dealer Salvatore Viviano and director Angela Christlieb embark on a search for the lost artist collective Gelitin, which since the 1990s has shattered the borders of "good taste" again and again with extravagant actions and installations. Interviews with old companions and artist friends in the U.S., Europe, and Asia are linked with anarchically montaged Gelitin archive material: intense, transgressive, experimental, gaudily colorful, funny, and virulent.

A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

Pistolteatern in Stockholm, Sweden, was a leading experimental scene in the mid 1960s, comparable to the Living Theater in New York. In the years 1964-67. Pistolteatern produced theatre plays, exhibitions and happenings at a very high pace. The name, Pistolteatern, comes from two of creators, PI Lind and STaffan OLzon.

Documentation of Lygia Pape’s 1968 performance Divisor - reactivated in the city of Villeurbanne (France) in October 2014. Commissioned by Institut d'Art Contemporain de Villeurbanne / Rhône-Alpes.

The rehearsal of a future play. Through the movement of the body, the protagonists form a structure full of tension and try to evoke past stories.

Through the voice of its founder Marinella Senatore, the video focuses on a few key themes of The School of Narrative Dance project. The artist describes how the nomadic school, founded in 2013, centers on the concept of "assembly" and collective creation which promotes an educational system based on emancipation, inclusion and self-cultivation. A school which continues to travel and has, until now, worked in more than 15 countries in the world and involved some 5 million persons including activists, both amateur and professional workers, dancers, choreographers, actors and poets in an atmosphere of shared knowledge. As the artist speaks, scrolling across the screen are images from the itinerant performance held in Naples in September of 2019.

Dragphoria is a short film about drag and identity, finding yourself in a noisy crowd, and slowly accepting yourself after a long-awaited denial.

Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."

November 19, 1971, F Space, Santa Ana, California: “At 7:45 p.m. I was shot in the left arm by a friend”.

In these uncertain, ever evolving and changing times, inspiration and entertainment come from equally bizarre places. People long for togetherness and one thing that always brings out the best in experiencing something together, is food. But what happens when you twist around some of the core ideas of enjoying food, and what “a meal” even means? What if you have a bizarre curiosity to see someone eat really weird food combinations, and actually have someone provide you with that? What if what you’re looking for isn’t comfort and relaxation, but something that will make you question what your self-isolation mind finds as entertainment?

A sincere portrait, and in first person, of the multifaceted Andalusian artist José Pérez Ocaña.

The life of the bullfighter Andrés Roca Rey during a day of bullfighting, from the moment he dresses up to the moment he undresses.

Summer 1991. The last days of the Soviet Empire. Dark clouds gathered over Moscow as the Soviet government prepared to turn back the clock of history. While the world focused on the crashing Soviet Empire, this film focuses on the people who would've been among the first to suffer repression - the women and men who have broken sexual taboos in a consummate act of liberation against a rigid, crippled world. This is a view from their vantage point, unveiling the shadow-side of Soviet culture in the wake of the revolution, where the real provocative nudity is the nakedness of the soul.