An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Three Swedish teenagers express their thoughts about bi- and homosexuality while navigating questions of identity, self-acceptance, and societal expectations. Through personal stories and reflections, the film explores their struggles, hopes, and the challenges of growing up as LGBTQ+ youth in Sweden.

The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

A short documentary profiling the lives of three transgender Black men, exploring what life is like living as a Black man when no one knows you are transgender, and their journeys with gender in the years since they transitioned.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".

A portrait of Łódź, Poland that exists in a time-warp of sad memory.

The British Royal Airforce's Red Arrows show off their skills.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A release that features 7 shorts from Italy, Israel, Tunisia, New Zealand, the United States and France, exploring those furtive first steps that men take as they decide to act on their sexuality. The 7 short films are: The First Time [La prima volta] (2012); Kiss Me (2022); Nidhal [نضال] (2022); Sparrow (2016); I Am Mackenzie (2019); The Place Between Us [Il posto fra di noi] (2010); By the End of the Night [Que la nuit s'achève] (2018).

Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.

A collection of nude and/or topless scenes from various films featuring actresses who were either famous at the time or who became famous later on.

'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.

A documentary about the artistic and verbal expressions of mentally ill people.

A heady, energised mash-up of animation, unseen archive footage and interviews, Rebel Dykes provides an intimate insight into the politically charged, artistically radical subculture in 1980s London, and the individuals who helped shape and change their world. Bringing together BDSM nightclubs, inclusive, sex-positive feminism, DIY zine culture, post-punk musicians and artists, squatters, activists and sex workers, these rebel dykes went out onto the streets to make their voices heard. [Feature length version of 2016 short of the same name.]