Though times have changed, Ram still uses old ways of farming due to a drought in the village. His brother, Bala, goes to Bombay to earn his living. Mahadev, a Zamindar in the village, eyes Usha, the lover of Bala. Due to the drought, the crops fail in the village, and Shikh Sahib, a social worker, comes to help the farmers, and shows them new ways of farming. Ramu goes to Bombay to take a loan for cooperative farming and asks Bala to turn back to the village, but he refuses. [The film is a socio-economic study of post-independence India, blending documentary elements with narrative storytelling. The film is often described as a "simple story woven into the documentary design" and features actors like Prithviraj Kapoor and Dev Anand.]

A prismatic meditation on pollution in the capital of the World’s biggest free-market democracy and the most polluted and populated city, Delhi – a film about the pollution inside of the human mind.

Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.

A young woman, Srishti Bakshi embarks on a monumental journey, walking almost 4000km over 240 days, from Kanyakumari in the south, to Kashmir, in the North, along the way meeting and learning first hand about the experiences of many women from all corners of India. WOMB is a poignant and heart warming documentary exploring the social and political issues faced by women of today’s India. It is a unique testament to seemingly insurmountable challenges in these unprecedented times and the everyday sheroes who are battling to overcome.

The documentary talks about of the devastating earthquake of 2001 and captures first-person accounts of survivors, rescuers, journalists, photographers, and earth scientists.

At the age of 54, Binode Bihari Mukherjee, an accomplished painter, lost his sight following an unsuccessful cataract operation. He continued to create art despite his loss of sight. The documentary explores Binode Bihari’s inner eye that guides his fingers to create art.

Jeet Lengey Jahaan is about today's youngsters who are starving to achieve their goals in life. It shows how they get trapped into our corrupt system and face adverse circumstances and finally find themselves helpless and how they fight against it by their own ways.

Based on the poetry of R. Raj Rao, Bomgay is a collection of six vignettes that depict the underground and complex nature of the gay identity in urban India. Part Genet, part Bollywood, this film combines acidic verse and insightful imagery to reveal the emerging gay community in the post-liberalized India of the 1990s.

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'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.

"Discover Dr Anil Prakash Joshi's Himalayan journey in 'A Son Of Himalaya". From rural roots to ecological visionary, witness his symphony of sustainability, GEP innovation, and the transformative power of nature's whispers.

VICE met up with the directors of Sacred Games, Netflix's first foray into originals in India. Veterans Anurag Kashyap and Vikramaditya Motwane explain their process to us.

Winner of 2 National Awards, Pancham Unmixed: Mujhe Chalte Jaana Hai, takes an incisive look into the legendary composer, RD Burman's reflective artistry and buoyant-but-also-lonely inner being. Featuring a host of close friends, colleagues and admirers, the film evokes awe, admiration and nostalgia the way most of his music does, till date.

In light of jailed activist Umar Khalid withdrawing his petition from the Supreme Court amid repeated adjournments, journalist Ravish Kumar captures the contours of Delhi in a video letter addressed to him. What comes out is a critical piece reflecting on the cowardice and the deafening silence of Delhi on the whole matter.

Clips and interviews show that the renowned Satyajit Ray was more than just a filmmaker: He was a sketch illustrator, a music composer, a children's book creator, an all around intellectual.

Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.

He was an ordinary boy with extraordinary dreams. This intimate documentary traces the rise, fall and comeback of Indian rapper Yo Yo Honey Singh.

Lured by the chance of being the protagonist of a documentary film, Buddha Dev, a 27 year old flamboyant cricketer from Goa, starts authorising unrestricted access into the most private parts of his life.

An attempt to engage with the historical, mythical and the contemporary worlds of the city of Pushkar

Hailstorm is based in the Narmada valley in central India, an area with extremely low levels of groundwater. Farmers here battle for survival, pitched against the vagaries of climate change. Following the events of a freak hailstorm over four seasons, the film unfolds the vulnerability and precarity of those that are at the sharpest end of global capitalism’s rapacious greed and the furthest from its benefits.