The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.

A partnership between the Government of Mali and an American agricultural investor may see 200-square kilometers of Malian land transformed into a large-scale sugar cane plantation. Land Rush documents the hopes, fears, wishes, and demands of small-scale subsistence farmers in the region who look to benefit, or lose out, from the deal.

Guided by compassionate experts and a devoted team of volunteers, Ramba, an Asian elephant who endured 50 years of isolation in a Chilean circus, embarks on an extraordinary 2,550-mile journey to her new home at Elephant Sanctuary Brazil.

Four women farmers working in the Champagne-Ardennes region talk about their working conditions, the part they play in running the farm, the distribution of jobs between husband and wife and the lack of status of their work... They emphasise how denial of the essential role they play in running the farm has led them to demand specific recognition of their job. Presentation of the Women's Association for Agricultural Development (AFDA).

Shot in Southern England over the course of six weeks by a crew of three American filmmakers, CircleSpeak offers a nuanced look at the passions and beliefs of the people immersed in the crop circle phenomenon during the season of 2001. This feature-length documentary presents interviews with serious “researchers”, self-proclaimed “hoaxers”, local farmers and villagers who are all, in one way or another, involved in this strange and compelling summer spectacle taking place year after year.

A panoramic look at the history of painting in Chile, from its precursors in the first half of the 19th century to the 1970s. This film is a remarkable documentary and animated work, created by a group of animators working at Televisión Nacional de Chile: Ricardo Paniagua, Germán Orellana, Eduardo Ojeda Ortiz, Juan Lafuente, and José Domingo Ulloa.

The documentary portrays the desires and ftures of four young people from the third year of secundary education in Chile. Two of them attend the industrial high school in the San Joaquín commune, where they have already begun their training as a textile technician. They both have dreams, they want to study, work, start a family and improve themselves. On the other hand, at the exclusive Saint George school, two students study in privileged conditions. They want to be professionals and develop through the arts. This is the portrait of two worlds located less than 20 kilometers apart and that can only be together in the audiovisual montage. It is the manifestation of the coincidences and contradictions that exist between the realities and the discourses of four young Chilean students in a fundamental stage for their future.

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1982 is not a year, it is a number. It is the number of massacres that occurred in Colombia. Using a Hollywood film from 1919 the film creates a portrait of distant and yet persistent individuals, an observation of the gesture that survives despite the blind light cast upon them by time, routine or indolence.

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The Color of Ultimate: ATL was an All-Star ultimate frisbee that showcased many of the sport’s most talented players of color from across the United States and Colombia, South America. This documentary details the stories of players who participated in the game. The stories include why the players enjoy ultimate, what the Color of Ultimate: ATL means to them, and how race and socioeconomic status have influenced their lives, both in the sport of ultimate, and in life at large.

During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”

A whimsical blend of live action and animation, "Saludos Amigos" is a colorful kaleidoscope of art, adventure and music set to a toe-tapping samba beat. From high Andes peaks and Argentina's pampas to the sights and sounds of Rio de Janeiro, your international traveling companions are none other than those famous funny friends, Donald Duck and Goofy. They keep things lively as Donald encounters a stubborn llama and "El Gaucho" Goofy tries on the cowboy way of life....South American-style.

Examines the career and literary output of Pablo Neruda, who makes his home at Isla Negra on the coast of Chile. Includes views of Mr. Neruda reading many of his poems in the locales which inspired them.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

The well-dressed Edwardian ladies and gents of the county tour the annual agricultural show.

Bruno Muel's documentary on the coup in Chile in 1973. Muel, who was part of the famed Medvedkine group, along with Chris Marker and Jean-Luc Godard, among others, captured one of the most powerful portraits of the early days of Dictatorship. Profound solidarity with the socialist cause, Muel and his team showed great courage to mix the official registration of images with those triumphant, clandestine, of the nascent opposition.

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