As a letter to her son, the filmmaker testifies her experience as a photographer aboard the Aquarius, a ship that rescued 29,523 people in the Mediterranean between 2016 and 2018.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Fearing for their lives, Afshin, Alain and Patricia fled their country, without their parents, when they were only children. They had to start all over here in Canada in the hope of a better life. Combining real shooting and animated cinema, "Alone" bears the imprint of hope: how does a child manage to rebuild himself in a new country, when he has left everything behind?

A computer screen, images from the four corners of the world. We cross borders in one-click while another trip’s story reach us in bits, through text messages, chats, phone conversations, and an immigration office’s questionnaire. It’s the journey of Shahin, a 20-year-old Iranian boy who, fleeing his country alone, lands in Greece, then winds his way to England where he claims asylum.

Through the personal memory of the view of the director who in first person re-lives, after fifty years, the journey of his family towards Argentina, where he was born, on the inside of the last emmigration groups of people from Piedmont in 1948. This journey of memory and emotions gradually becomes an outline for the analysis of the situation of the emmigrants from Piedmont and of their presence from after the war until today in Argentina from the time of Peron until the economical crises through the blood thirsty and dark period of the military dictatorship.

HOMME-RELAIS spotlights Juan Manuel, a doctor turned community leader who, amid migration grief and integration challenges, guides immigrant men through a life-changing program: forging resilience, belonging, solidarity, and hope.

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

A Liberian refugee SAM REAYAH and his family have been separated for five years and live in uncertainty waiting for family reunion. While Sam and his younger daughter Ruth continue their lives in Buduburam Refugee camp in Ghana, his wife Decontee and his older daughter Joyce have already started a life in Rochester, USA. The film explores the idea of home. Sam's family had a home in Liberia, but they had to give it up. They were forced to build homes elsewhere. They built a home in Ghana. They build a home in The United States. They built homes together, they build homes separate of each other. But which home does the heart want?

TV special revisiting the documentary series that became a media sensation 50 years ago and birthed a new television genre. Examines the enduring significance of the series, which chronicled seven months in the lives of the Loud family of Santa Barbara, California.

A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos.

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For Ababacar and Mbaye - two Senegalese immigrants who met and established a great friendship in Buenos Aires - the challenge goes beyond adapting to the customs and living conditions in Argentina, or dealing with the indifference and racism they suffer on a daily basis: both came to an instance of their lives in which they must define a course, and in turn accept that their identities and needs have become more complex. The decision to leave their country was driven by the urgent objective of financially supporting their families, but the stay in Buenos Aires crossed them with new people, new ways of seeing things, and even an economic situation different from that which they found at home. Their different ways of seeing things allow them to see in each other a different version of themselves.

It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.

This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.

Football is both the place, the crystallization of sporting passion and the witness of identity imaginations. It is also an interesting and relevant area for discussing the migration issue. From the 1930s to the present day, football, notably with the composition of the French team, has reflected the plurality of the French population. Raymond Kopa, Michel Platini, Zinedine Zidane, Basile Boli... these four footballers alone illustrate the four major waves of immigration that France has experienced.

This short film traces the journey of the first Ukrainian settlers in Canada. Seeking freedom and opportunity, they came here and became instrumental in helping to open the Canadian West. Though they had little in the way of money or machinery, they had courage and faith in the future and were willing to put in the hard work. Every member of the family helped in the struggle, and in time, their efforts paid off.

As dawn breaks over Taipei, a whole world comes to life around the Luzhou temple night market, only to be dismantled by sunrise. In COME HUNGRY, Oscar-winner Carol Dysinger creates a city symphony out of the rhythms, sounds, colors, and flavors of this ephemeral community that revolves around Taiwanese food, traditions, and identity.