Jon Richardson, one of Britain's most cautious men, is sent on a mission by his wife Lucy Beaumont, to investigate the things they are most scared about.

A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.

A disturbing chapter in Russian history is explored in this documentary. In 1933, Joseph Stalin sent 6000 "unwanted" citizens of Moscow and Leningrad to a desolate Siberian island - with no food or clothes to speak of. Decades later this documentary returns to the island.

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

An experimental project made up of 10 minute silent portraits with 60+ participants.

Until now, they have stood on the sidelines. They have not appeared before the cameras. They have not taken part in public discussion. It is mainly to them that the documentary film by the well-known journalist Ewa Ewart was devoted. It shows the face of the Smolensk catastrophe through the eyes of the victims' families. April 10, 2010 went down in the memory of Poles as a day of national drama. But for the characters in the film, it was the day of their greatest personal drama. Along with the presidential couple, their loved ones passed away in shocking circumstances. For most, the time passing since the Smolensk catastrophe does not bring relief. Ewa Ewart and her film crew accompany the families at various stages of their struggle with difficult emotions. The film is in the process of being made and will include sequences and stills that have not been used anywhere before.

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Marina Carrère d'Encausse lifts the veil on the intimate questions that preoccupy her as well as society at large: those related to the end of life. The doctor-journalist introduces Antoine, her partner, who is suffering from Charcot's disease, an incurable illness, and who wishes to choose how he ends his life. Is the current law in France sufficient? Should it simply be better enforced, allowing better access to palliative care? Should assisted suicide and euthanasia be legalized? Marina meets with patients concerned about the end of life, caregivers, and politicians in France, as well as in Belgium, Switzerland, and Canada, countries where euthanasia and assisted suicide are legal.

In this documentary, Argentinians dance to their favourite hits.

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

Acclaimed dancer Carlos Acosta introduces a new generation of film makers who use b-boying, ballet and contemporary dance to tell their stories. Subjects range from dancing in a bingo hall, acid attacks, body image and wellbeing and the mystical world of baby eels. Each is a remarkable fusion of dance and film. Anatomy of a Crooked Spine; Blast; Elver; Full House; I Am Soldier; I Dance Best with You; Inside; Inside We Break; Manmade; Petals and Pain; Scapelands; We Are Ready Now; We Are Always Here; Do I Have Free Will?

Profile of famed dance director Busby Berkeley's career, in particular "The Gang's All Here"

A profile on Moses Pendleton, the founder of the Pilobolus Dance Theater and MOMIX.

An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.

This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben / Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.

The story of Hitler’s final hours told by people who were there. This special features exclusive forgotten interviews, believed lost for 65 years, with members of Hitler’s inner circle who were trapped with him in his bunker as the Russians fought to take Berlin. These unique interviews from figures such as the leader of the Hitler Youth Artur Axmann and Hitler’s secretary Traudl Junge, have never before been seen outside Germany. Using rarely seen archive footage and dramatic reconstruction, this special tells the story of Adolf Hitler’s final days in his Berlin bunker.

I meet Herbert in the same week I get diagnosed with cancer. We fall madly in love and plan to stay together for the rest of our lives. Three months later, he is dead. Herbert was a BASE Jumper. Leaping off a cliff with nothing but a parachute, he loses his balance, slams into the rock face and falls to his death. His loss in the midst of my chemotherapy completely throws me. Why does he gamble his life away, while I fight for mine? Desperate for answers, I return to Lauterbrunnen, the scene of the accident where Andreas, his best friend and coach, introduces me to the world of BASE. The jumpers teach me not only about the sport, but about facing fears, harnessing and controlling them. To make the most of the life we get. In the Swiss Death Valley I slowly find my way back to life.

At the crossroads of arts, bodies and images merge to create a world of poetry and dreams.

Portrait of photographer Bengt Åke Kimbré where he narrates his own life story accompanied by his photographs.