Hamburg, summer 1945: The young English control officer Captain Hannes Hacker arrives in the Hanseatic city to initiate the establishment of a new, liberal German radio station - in the Funkhaus on Rothenbaumchaussee. But Hacker also has private ties to Hamburg. He was born here and lived here until he had to leave his hometown on a Jewish Kindertransport.

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

In today's climate debate, there is only one factor that cannot be calculated in climate models - humans. How can we nevertheless understand our role in the climate system and manage the crisis? Climate change is a complex global problem. Increasingly extreme weather events, rising sea levels, and more difficult living conditions - including for us humans - are already the order of the day. Global society has never faced such a complex challenge. For young people in particular, the frightening climate scenarios will be a reality in the future. For the global south, it is already today. To overcome this crisis, different perspectives are needed. "THE UNPREDICTABLE FACTOR" goes back to the origins of the German environmental movement, accompanies today's activists in the Rhineland in their fight against the coal industry and gives a voice to scientists from climate research, ethnology and psychology.

On December 23, 2013, former Federal Chancellor Helmut Schmidt will be 95 years old. As the second Social Democratic head of government in the Federal Republic of Germany, he shaped the country like few other chancellors. Even 30 years after the end of his time in government, he is still a highly esteemed expert whose advice and opinions are in demand. He is one of the most popular chancellors among the population and is held in the highest esteem by his party; even his political opponents at the time pay him the greatest respect.

A documentary about the underground singer-songwriter Tobias Gruben, his upbringing and his musical career, featuring past live perfomances by himself and cover versions of his songs by contemporary artists.

Nobody captured the atmosphere of 1990s Berlin better than German photographer Daniel Josefsohn, who died in 2016 at the age of 54, leaving his mark in advertising with his irreverent aesthetic and punk sensibility. It was his spontaneous, imperfect images shot for an MTV campaign in 1994 that first made him famous.

Two men, the hint of a sofa corner and a pile of letters. Using minimalist means, the film tells the story of two brothers caught between exile in a foreign country and resistance in the underground. It takes us back to the time when the revolution seized power in Iran and tells of life between the fronts. Daniel Asadi Faezi sketches the story of his father and his brothers - based on correspondence that has lain in the cellar for 30 years.

Ayşe Polat grows up in Hafenstraße in Hamburg in the 1980s. The 15-year-old is surrounded by crime and is quickly pigeonholed by outsiders because of her living situation. However, the criminal environment doesn't say much about the person.

This James A. FitzPatrick Traveltalks short visits the West German cities of Hamburg, Bremen, Munich, and Heidelberg. Included are scenes of World War II destruction that lingered at the time.

The film follows the career of detective inspector Marianne Atzeroth-Freier through the Hamburg police force of the 80s and 90s. At the end of the 70s, Marianne is 30 years old and a single parent; she becomes one of Hamburg's first female police officers. Marianne is one of the first women ever to be promoted to the Hamburg homicide squad. The opposing forces in this male-dominated world are strong, she is not really taken seriously and is even bullied along the way, until she comes to the attention of the furrier Lutz R.. Against the considerable resistance of her superior, Marianne investigates in her spare time and makes a significant contribution to solving the case of the "acid barrel murderer".

What was cinema in the past? What is cinema today? Hamburg filmmaker Dennis Albrecht asked himself these questions as he sifted through material he had been collecting since a project idea in 2008. Since then, he has repeatedly taken cameras into cinemas that no longer exist. He shot commercials, short films or events at the Grindel-Kino, Streit's, Rialto and Savoy and many other Hamburg movie theaters. In these personal perspectives, we see many cultural places that have disappeared.

A group of punks is observed and interviewed on a square in Hamburg-Ottensen. In close-ups, characteristic details of the outward appearance of punks and their provocative behavior are presented. The reactions of passengers and the owners of surrounding stores are recorded; some act emphatically tolerant and understanding, others reject them...

A portrait of St. Pauli and its people.

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In this long-term documentary, a film team follows the struggle of the residents of the Esso houses and their supporters. They filmed numerous demonstrations, were present at subversive actions and chest mobs, documented neighborhood meetings and captured insights into lovingly furnished living rooms - right up to the packing of the moving boxes. The film aims to ask important questions: Was the demolition really unavoidable? Should the ownership of ruins be rewarded with tailor-made development plans? Not only activists from the Esso-Häuser initiative and residents, neighbors and tradespeople have their say, but also politicians, investors and a star architect.

Short-documentary about the squat at Amandastraße 73 in Hamburg.

Short documentary about a Hamburg tenants' initiative that is fighting for its neighborhood.

A documentary about the history of Hamburg-Ottensen

23-year-old Elviz from Hamburg-Altona is in a tight spot: his uncle wants the 50,000 euros he once lent Elviz back — he promises to seize Elviz's mother's property on the Turkish Riviera otherwise. But Elviz knows how to make money quickly these days and founds the first Turkish-language telephone sex hotline, "Süperseks". It's going great - and only gets Elviz into more trouble when his new girlfriend Anna applies for a job with "Süperseks", unaware of who is behind the company.

Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.