Doing really well on your school assessment tests, but still having the school recommend that you go to preparatory vocational school. Going to a club with friends and having the bouncer keep you out. Having to endure jokes from classmates. These are examples of the sort of casual racism that the children of director Karin Junger and their friends have to face. In Ik alleen in de klas, director Karin Junger, white mother of three darker-skinned children, stands with her family to confront the racism they experience in their daily lives. Twelve adolescents meet at a mansion in France. The group consists of Junger’s children and their friends. All of them come from ethnic minority backgrounds and share a feeling of being excluded from Dutch society. Re-enactment is used to explore painful situations again. In this simple but effective documentary, we can see the impact of subtle and less subtle forms of racism on the lives of young Dutch people.

Police have been killing people in Columbus, Ohio, with near impunity for more than two decades, leaving behind a community bound together by grief – and a system that refuses to call these killings murder. In a searing indictment of the police and justice system at large, educator and curator Ingrid Raphael and journalist Melissa Gira Grant have collaborated in this short film, which spotlights the testimonies and resistance strategies of the loved ones of Henry Green, Tyre King, Donna Dalton and Julius Tate. These are the mothers, sisters, and grandmothers of those who were killed by Columbus police, women seeking justice for their family members, despite knowing that it is unlikely to be found within the system that caused their wrongful deaths.

In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.

There is no description

Short film about racism.

Grand Saline, Texas, was a sleepy, unremarkable town—until a white preacher lit himself on fire to protest the town's racism in 2014. The subject of this film is deceptively straightforward: A minister commits suicide by setting himself on fire. He leaves behind a letter that frames his decision as a religious response to the intolerable racism of America's past and present, particularly in his Texas hometown. The aftermath is befuddling: There are townspeople who can recall incidents of racial violence and hate speech, and those who have never seen anything of the kind. Black folk in surrounding towns who share rumors and fears about acts of violence, and white folk who say you can't believe everything you hear. Fellow ministers who share the desire to be liberated from a racist past, and churchgoers who believe only mental illness could explain such a suicide.

In the first year of Trump’s Presidency, Daryle Lamont Jenkins, an Antifa activist, combats the rise of the Alt-Right movement, while Richard Spencer, an Alt-Right leader, fights to gain ground, culminating in a tragic showdown in Charlottesville.

There is no description

Cassius X puts a period of often-overlooked history into the spotlight – the period when Cassius Clay fought his way to achieving his lifelong dream of becoming World Heavyweight Champion while embarking on a secret spiritual journey.

There is no description

An oral history documentary of people of color at Miami University during its Public Ivy period—from 1970 to the early 2000s.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

Three men seeking asylum in Ireland find themselves on the streets, caught between restrictive migration policies and an increasingly aggressive far-right movement. Dennis Harvey captures an explosive sequence of events on the streets of Dublin.

This intimate portrait of an American domestic terrorist contemplating mayhem is a close-up and unflinching look at right-wing hatred and intolerance in the United States

A documentary about rap artists from Ceilândia, a satellite-city of Brazil capital, Brasilia. The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.

The documentary is structured as a video letter from a black man denouncing the persistence of racism in Brazilian society and media, a century after the official end of slavery. Thus, it presents the contradictions between two images of racial relations in Brazil: the image disseminated abroad, which spreads the myth of racial democracy, and the internal image, presented in textbooks and on television, in which negative stereotypes are perpetuated against the black population.

There is no description

This story follows the history of the most over buried commercial cemetery in America. It comes full circle to present day and documents a non profit's efforts to take care of the abandoned and abused burial ground.

In the history of “The Simpsons,” few characters outside the title family have had as much cultural impact as Apu Nahasapeemapetilon, the Springfield convenience store owner. Comedian Hari Kondabolu is out to show why that might be a problem.

A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.