At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.

Jacques Rozier or the fierce, independent itinerary of a filmmaker in perpetual disarray, admired by his peers and pampered by the critics.

Jacques Demy’s ability to enchant audiences was rooted in his personal struggles and doubts as a showman, establishing him as one of French cinema’s greatest artists.

A look at Kevin Smith's life and career from his childhood in New Jersey, to the day they cemented his footprints at the world famous TCL Chinese Theater, with a flock of famous folks testifying on Silent Bob's behalf!

For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.

The story of a young woman entering the world of filmmaking as assistant director to Bilge Olgaç and the two years they worked together. Through her diary, Belmin Söylemez explores what she learned from Bilge Olgaç, the most productive woman director in the history of Turkish Cinema. The film also gives us clues on filmmaking in Turkey in the late 80’s. From tough shooting conditions to 35 mm editing, we discover Olgaç’s world through her assistant’s eyes. ‘Bilge and Her Apprentice’ pays tribute to the life and work of Bilge Olgaç, who passed away in 1994.

George Lucas discusses how Joseph Campbell and his concept of the Monomyth (aka the Hero's Journey) and other concepts from mythology and religion shaped the Star Wars saga.

"A week before he passed away, my grandfather shared with me his former aspirations of becoming a filmmaker. After many trials, a narrow escape from the Nazis and immigration to the United States, the dream slowly but surely came true. surely passed out. After his passing, I discovered a treasure trove of dust-covered 8mm film archives that had apparently not been seen by anyone for at least a generation. Mesmerized, what unfolded before me was something something most people, myself included, had never seen before: the development and complete decline of the human body and mind. Motivated by my grandfather's unrealized cinematic dreams, I decided to reconstruct a film that he had already made involuntarily." Lance Oppenheim

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

A group of filmmakers shadow some glamour photographers in order to discover the skill involved in getting 'magic' to appear on the photos.

Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.

This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.

Part 3 of documentary trilogy about Persian poet Forough Farrokhzad. This part focuses on her theatre and film work.

This feature-length documentary brings together six of the rare television interviews given by Gilles Groulx between 1966 and 1983. Through these interviews, the filmmaker's ethical and aesthetic concerns are revealed. A striking coherence emerges in his thinking regarding his conception of cinema and the role the filmmaker should play in his culture and society.

Film clips and interviews with biographers and colleagues chart the prolific, six-decade career of maverick actor-director Clint Eastwood.

In just ten films, Maurice Pialat painfully rose to the top of the cinema, draining into his legend a mad demand for truth as much as memorable fury to achieve it. With "L'Enfance nue", his first feature film at the age of 43, the filmmaker immediately made his mark, this "art of making things authentic", according to Chabrol. But throughout an unclassifiable filmography in the form of an autobiography, from a break-up to his fatherhood in wonder, through the agony of his mother, the filmmaker does not get rid of the feeling of being misunderstood, despite international recognition.

On August 15th, 2006, filmmaker Ryan Dacko set out to get a 30-minute meeting with a major Hollywood producer by running on foot from Syracuse, New York to Hollywood, California.

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