Promised Land is a social justice documentary that follows two tribes in the Pacific Northwest: the Duwamish and the Chinook, as they fight for the restoration of treaty rights they've long been denied. In following their story, the film examines a larger problem in the way that the government and society still looks at tribal sovereignty.

On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

In Nevada’s remote Thacker Pass, a fight for our future is playing out between local Indigenous tribes and powerful state and corporate entities hellbent on mining the lithium beneath their land. Vancouver-based Lithium Americas is developing a massive lithium mine at Thacker Pass, but for more than two years several local tribes and environmental organizations have tried to block or delay the mine in the courts and through direct action.

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

Examines the impact a century of struggling for survival has on a native people. It weaves the Crow tribe's turbulent past with modern-day accounts from Robert Yellow-tail, a 97-year-old Crow leader and a major reason for the tribe's survival. Poverty and isolation combine with outside pressures to undermine the tribe, but they resist defeat as "Contrary Warriors," defying the odds.

Western culture treats mental disorders primarily through biomedical psychiatry, but filmmakers Phil Borges and Kevin Tomlinson reveal a growing movement of professionals and survivors who are forging alternative treatments that focus on recovery and turning mental “illness” into a positive transformative experience.

The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.

The US detonated 67 nuclear weapons over the Bikini Atoll in the Marshall Islands during the Cold War, the consequences of which still reverberate down four generations to today. "NUKED," is a timely new feature documentary focussing on the human victims of the nuclear arms race, tracing the displaced Bikinian's ongoing struggle for justice and survival even as climate change poses a new existential threat. Using carefully restored archival footage to resurrect contemporaneous islanders’ voices and juxtaposing these with the full, awesome fury of the nuclear detonations, NUKED starkly contrasts the official record with the lived experience of the Bikinians themselves, serving as an important counterpoint to this summer’s Oppenheimer.

Matimekush is landlocked in the former mining town of Schefferville, 700 km north of Sept-Îles. It was founded in the 1950s, when the Canadian government and Iron Or forced the Innu to settle down. In Canada’s Far North, there is a dire labour shortage. At Kanatamat School, the heart of the community, most of the high school teachers are from Africa.

Examines the violence and civil disobedience leading up to the hallmark decision in U.S. v. Washington, with particular reference to the Nisqually Indians of Frank's Landing in Washington.

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Three Alaska Native women work to save their endangered language, Kodiak Alutiiq, and ensure the future of their culture while confronting their personal demons. With just 41 fluent Native speakers remaining, mostly Elders, some estimate their language could die out within ten years. The small community travels to a remote Island, where a language immersion experiment unfolds with the remaining fluent Elders. Young camper Sadie, an at-risk 13 year old learner and budding Alutiiq dancer, is inspired and gains strength through her work with the teachers. Yet PTSD and politics loom large as the elders, teachers, and students try to continue the difficult task of language revitalization over the next five years.

In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”

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In this short documentary, a Musqueam elder rediscovers his Native language and traditions in the city of Vancouver, in the vicinity of which the Musqueam people have lived for thousands of years. Writing the Land captures the ever-changing nature of a modern city - the glass and steel towers cut against the sky, grass, trees and a sudden flash of birds in flight and the enduring power of language to shape perception and create memory.

An intimate exploration of the circumstances surrounding the incarceration of Native American activist Leonard Peltier, convicted of murder in 1977, with commentary from those involved, including Peltier himself.

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.