The Karikpo masquerade - a traditional dance of the Ogoni tribe - is transposed onto the remnants of a faded oil industry programme in the Niger delta.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Nima Yooshij (Iranian poet) for his son’s 1st birthday. He says: “my son, by now, you have seen a spring, a summer, an autumn and a winter. From this point on, everything is simply a repetition except kindness.”

A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.

The versatile artist, BEK Hyunjin ventures into theater direction, leaving the actors in a state of confusion. His unconventional direction unfolds into strange scenes on stage. Scenes of people howling, a woman's monologue, another woman lip-syncing a song appear in random order, and BEK Hyunjin himself appears on stage as a primitive man, a singer and a narrator.

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

Surrounded by old toys and distant memories, Alicia loses the notion of time in the house she grew up in. As the ghosts of her past confront her, she’ll have to face their torment before they wither her away

A being from the beyond returns to Chile in 2019, embodied in a worker who dreams of social upheaval. Viral videos intertwine with fiction to narrate the experiences of a polarized country that wanders between drama and absurdity, illusion and failure.

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

A misty afternoon returns a Mapuche couple to their wedding video. In their civil ceremony, they are noted as one of only two couples married in the indigenous language of Mapudungun.

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

A troubled actor, a television show runner, and an acclaimed videogame designer find their lives intertwining in mysterious and unsettling ways.

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.

Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Experimental filmmaker Rubén Gámez explores the iconography of the maguey plant in Mexican cinematic history.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.