Combining footage unseen since WWI with original scores from the era, this film tells the story of Noble Sissle's incredible journey that spans "The Harlem Hellfighters" of World War I, Broadway Theatre, the Civil Rights movement, and decades of Black cultural development.

New York City's Stonewall Inn is regarded by many as the site of gay and lesbian liberation since it was at this bar that drag queens fought back against police June 27-28, 1969. This documentary uses extensive archival film, movie clips and personal recollections to construct an audiovisual history of the gay community before the Stonewall riots.

A feature-length documentary film by Carol Mansour and Muna Khalidi. After 43 horrific days working round the clock under constant bombardment in the emergency rooms of Gaza’s Al Shifa and Al Ahli hospitals, British-Palestinian reconstructive surgeon, Dr. Ghassan Abu Sittah, emerged to find himself as a face of Palestinian resistance.

The decades-long debate surrounding reparations is fraught, mired in racial tension and the semantics of restorative justice. While the national conversation remains stalled due to legislative inaction, communities across the country examine their histories and take it upon themselves to arrange their own form of reparations. This detailed investigation of restitution presents accounts of everyday people confronting the past and exploring the possibilities of wealth transfer.

A close-up look at the New Yorkers who took to the streets during the 2024 Presidential Election.

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In 1867, when the United States purchased the Alaska territory, the promise of the Constitution and the Bill of Rights didn't apply to Alaska Natives. Their struggle to win justice is one of the great, untold chapters of the American civil rights movement, culminating at the violent peak of World War II with the passage of one of the nation's first equal rights laws.

From his Memphis studio, Ernest Withers’ nearly 2 million images were a treasured record of Black history but his legacy was complicated by decades of secret FBI service revealed only after his death. Was he a friend of the civil rights community, or enemy—or both?

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

The black power salute by Tommie Smith and John Carlos at the 1968 Mexico Olympics was an iconic moment in the US civil rights struggle. Far less known is the part in that episode in history played by Peter Norman, the white Australian on the podium who had run second — and the price paid afterward by all three athletes.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

The first documentary feature film produced in Gaza highlights the historical precedents of war, dispossession and military control that influence a family’s daily life in Jabalia Palestinian refugee camp. Intimate scenes — a child is born, a grandmother dies — are intercut with visits to the architects of the Israeli military occupation. Ariel Sharon, Benyamin Beneliezar, and soldiers on patrol candidly discuss their responsibilities.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.

Tracing the U.S. military's long history of discrimination against the gay community and one couple's personal journey for acceptance.

The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...

Examines Civil Rights-era America through the prism of basketball at historically black colleges and universities.

In an exclusive new documentary, Max Blumenthal rips the cover off the media deceptions and atrocity hoaxes Israel pushed after October 7 to create political space for its gruesome assault on the Gaza Strip. Blumenthal exposes the US mainstream media's role as a megaphone for the Israeli government, introducing new lies even after their initial ones were debunked. Atrocity Inc raises serious questions about the official narrative of October 7, while revealing how Israel's army has consciously engaged in the same hideous atrocities which it falsely accused Palestinian militants of committing.