Raised in the small all-Black Florida town of Eatonville, Zora Neale Hurston studied at Howard University before arriving in New York in 1925. She would soon become a key figure of the Harlem Renaissance, best remembered for her novel, Their Eyes Were Watching God. But even as she gained renown in the Harlem literary circles, Hurston was also discovering anthropology at Barnard College with the renowned Franz Boas. She would make several trips to the American South and the Caribbean, documenting the lives of rural Black people and collecting their stories. She studied her own people, an unusual practice at the time, and during her lifetime became known as the foremost authority on Black folklore.

Dovzhenko and Solntseva's documentary about the Bukovina region.

A wartime documentary directed by Alexander Dovzhenko and Yuliya Solntseva, depicting the final campaigns that drove Nazi forces from Ukraine in 1944–45. Combining frontline footage, liberated cityscapes, and scenes of returning civilians, the film chronicles both the devastation of occupation and the triumph of Soviet arms. It stands as both a historical record of the Ukrainian front and a patriotic celebration of victory at the close of the Second World War.

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A 1943 Soviet war propaganda film by Ukrainian director Oleksandr Dovzhenko and Yuliya Solntseva. It is Dovzhenko's second World War II documentary, and dealt with the Battle of Kharkiv. The film incorporates German footage of the invasion of Ukraine, which was later captured by the Soviets.

Wartime documentary by Dovzhenko and Solntseva.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

Recaptures the lives and times of Ma Rainey, Bessie Smith, Ida Cox, Alberta Hunter, Ethel Waters, and the other legendary women who made blues music a vital part of American culture. The film brings together for the first time dozens of rare, classic renditions of the early blues.

A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.

Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.

A metaphor of the Flood in our times, The Flood is the rain of violence that washes over us. Noah´s Ark is the train that runs through Mexico toward the United States and migrants are the species attempting to save their lives. For the directors, cinema moves people not just by condemnation, but by confronting and fostering emotions which lead to new, constructive ideas. This documentary became a cinematographic diary for their first viewer, their three-year-old daughter, Zafirah.

Chronicles the lives of two very different nannies and the families they served for the last 50 years. Told through interviews, home movies, and newsreel footage.

A history of Maud's, a San Francisco lesbian bar that stayed open from 1966 to 1989.

Millions have seen the photograph, and no one who has seen it will ever forget it. A naked woman, dead from a botched illegal abortion, lying on a motel room floor. The picture appeared in Ms. Magazine in April 1973, and quickly became a symbol for the abortion rights movement. LEONA'S SISTER GERRI tells the dramatic story of Gerri Santoro, a mother of two and the "real person" in the now famous photo. Should the media have used this image? What circumstances led to Gerri's tragic death? Powerfully addressing issues of reproductive rights and domestic violence, this video is a moving portrait of Gerri Santoro's life and society's response to her death.

Documentary about the world of the Japanese geisha. Unattainable by all but the wealthy and powerful, geisha are the ultimate massagers of the male ego. Behind the delicate fan and enigmatic smile can also be found a darker side to the geisha story, including treachery and suicide.

The Artist Is Absent reveals the true face of the enigmatic Belgian designer who appears here as never before. Featuring some of the most distinguished names in the fashion industry, such as fashion journalist Suzy Menkes, designers Jean Paul Gaultier and Raf Simons and fashion retail entrepreneur Geert Bruloot – who was the first to discover the enormous talent of Martin Margiela.

A documentary that explores AIDS activism in Frankfurt, focusing on activists, affected individuals, and organizations fighting the epidemic, raising awareness, and advocating for policy changes. Directors Lou Deinhart, Evi Rohde, and Zoë Struif incorporate 1980s/90s theatre productions, news footage, and protest recordings into their research. Alternating between present-day encounters and historical media, they interview numerous witnesses, constructing a collage of diverse memories rather than a single narrative, highlighting grassroots movements' struggles, solidarity, and impact.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

Sundance-and-Emmy-Award-winning filmmaker Judy Irving (with her first film since the widely acclaimed and loved “The Wild Parrots of Telegraph Hill”) follows a wayward California brown pelican from her “arrest” on the Golden Gate Bridge into care at a wildlife rehabilitation facility, and from there explores pelicans’ nesting grounds, Pacific coast migration, and survival challenges of these ancient birds, sometimes referred to as the flying dinosaurs. The film is about wildness, and asks the following questions: how close can we get to a wild animal without taming or harming it? Why do we need wildness in our lives, and how can we protect it? PELICAN DREAMS, stars “Gigi” (for Golden Gate) and Morro (a backyard pelican with an injured wing).

The film traces the life and times of Esther Eng, a San Francisco native known as Hong Kong’s first “directress.” She directed 10 Cantonese talkies.