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The story of two feuding Irish immigrant families living in a tenement.

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Paul and Rhoda Remsen, having marital difficulties, separate; and each is awarded custody of their child Peggy for 6 months of the year. Rhoda and Peggy move to a farm town, while Paul remains in the big city to write a play for actress Inez Lamont, who is in love with him. Peggy knows that her mother still loves Paul, so she flees to the big city to explain the situation to her father.

Roseanne (Ethel Clayton) has grown up near some diamond mines in South Africa. As a child, she became ill and a Malay nurse, Rachel Bangat (Fontaine La Rue) promised to cure her. That she did, but she also worked some voodoo on the child, who, as a grown up now displays a powerful desire for diamonds and the ability to throw evil curses on those who displease her.

Avis Langley's dying mother begs her to look after Avis's errant brother and continues after death to reappear in spirit form to remind Avis of her promise. Avis follows her brother to New Zealand in hopes of protecting him from his own ways, but on the trip tragedy apparently strikes.

Seduced and abandoned by the caddish Louis La Farge shepherdess Marie Beaupre is cast out of the village and forced to survive in the mountains alone. Driven mad she becomes known as “the witch woman” until hypnotist Dr. Cochefort and his friend Delaunay encounter her while on a hunting trip, take her to Paris, and effectuate a cure at which time she becomes heir to Delaunay's fortune. All seems clear sailing until Marie is introduced to Louis's twin brother Maurice and mistaking him for Louis sets forth on a plan for revenge.

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Duplicitous Patricia Chase schemes to break up the new marriage of Margery and Wallace Graham because she yearns for Wallace despite her marriage to another. She nearly succeeds but the revelation of a secret thwarts her at the last moment and she gets her just desserts shortly after.

A peasant girl goes to great lengths to protect her child in 19th century Vienna. The film is considered lost, and only four minutes of footage are known to remain.

A melodrama about a painter who is infected with syphilis, refuses treatment, turns to the use instead of narcotics, and withers away.

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A gang of crooks evade the police by moving their operations to a small town. There the gang's leader encounters a faith healer and uses him to scam gullible public of funds for a supposed chapel. But when a real healing takes place, a change comes over the gang. Lost film, only the most famous scene has survived.

When her husband Fred goes bankrupt, Lily Morton is forced to give up the trappings of wealth and move into a humble home while Fred attempts to fight his way back to prosperity. Resentful of her modest circumstances, Lily accepts her friend Marion Garland's offer to introduce her to Mrs. Farington, a woman who will pay handsomely for Lily's escort services. Lily goes to work for Mrs. Farington while her unsuspecting husband struggles to regain his former wealth. While managing an apartment house for one of his wealthy clients, Fred visits Mrs. Farington, a tenant, and, noticing a framed picture of Lily, asks to be introduced to the girl. Mrs. Farington arranges the rendezvous, and when Lily arrives, she is confronted by her enraged husband who chokes her to death. At this moment, Lily awakens from her nightmare, and chastened for her superficiality, begs Fred for forgiveness.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

A 1919 film directed by Sidney Franklin.

A 1922 film directed by Frank Lloyd.

A 1917 film directed by Edward José

After his wife/model has died of starvation with her portrait unfinished, an impoverished artist meets another woman with a striking resemblance to her.

William H. Thompson plays a likeable old lighthouse keeper who must contend with his less likeable fellow villagers. One of Thompson's acts of kindness is to bless the "scandalous" romance between hero and heroine.