A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

A slow, hot summer afternoon. A father sleeps while his child is drawing with pencils in a cross word puzzle. A wind moves through the grass - something bad is about to happen.

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At a secret monastery located in a rural area of Thailand, a music teacher is trying to help a young nun to be able to speak again. The nun's passion and sexuality clashing with her religious convictions have caused her to shut down.

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A lonely Brooklyn photographer (Randy Harrison, "Queer as Folk") gets the courage to come out from behind his camera to capture his crush, but it turns out there is more to the picture than meets the eye.

When an under appreciated single mother intercepts a strange transmission on her pocket radio she suspects that it may be linked to her teenage sons mysterious homemade gaming headset.

Gustav finds it challenging running the family's funeral home in a little town where no one dies. One day a mysterious man occurs.

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Walking in her home, Evelia experiences the past, the present and the future at the same time. In the symbolic life she leads, governed by the god Janus, everything around her seems to speak to her, until random visions are born poetic. Through the trance state that awakens the inner gaze, Evelia's anima connects with the anima mundi. Simonetta's eyes is about the memory that a person will leave behind; Evelia tells the viewer, with the language of the gaze: "one day, we will only be memory".

Dori finally achieved her dream - having dinner with her favorite actress.

A woman wakes up hanging upside down. When she screams for help, a phone rings and a voice helps her escape.

Claudia Recher is a young woman who has lived a horrible situation. Her sense of reality becomes an illusion as she struggles to assemble the loose fragments of wrecked life. The last witness of innocence and her internal conflicts.

Visual haiku dealing with still and living life, ghosts and revealing light.

An urban legend says that lighting fireworks at an abandoned airfield will beckon the "summer ghost," a spirit that can answer any question. Three teenagers, Tomoya, Aoi, and Ryo, each have their own reason to show up one day. When a ghost named Ayane appears, she reveals she is only visible to those "who are about to touch their death." Compelled by the ghost and her message, Tomoya begins regularly visiting the airfield to uncover the true purpose of her visits.

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Driving through the desert en route to San Francisco, Sebastian has a chance encounter with Helena, a mysterious and attractive hitchhiker. Together they embark on a journey to the unknown, testing the boundaries of reality along the way.

Ivanna finds herself dazed, confused, and with no recent memory in the middle of the road. Along the way, she encounters a mysterious and menacing-looking man who offers to give her a ride. As she starts regaining her memory during the journey, the tension builds and the suspicion grows that this man could be both the answer to all her questions and her downfall.

Ordinary citizens now augment themselves with cybernetic implants and live alongside fully synthetic androids, who have taken over the bulk of humanities’ service positions. This bleeding-edge technology is all controlled by global corporations, with the most dominant being the Toronto-based tech-giant; Red Crow. As private investigator Duncan Reeves clings onto ideas of the past and distresses over his cybernetic arm obtained during past wars, a corporate murder and a mysterious woman make him question the lines between human and android.

A paranoid, stay-at-home husband grows suspicious of his next door neighbor