From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.

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In the documentary Last To Know political prisoners, sent to jail for openly opposing the East German regime that existed until the German reunification in 1990, talk about their times of trial and their lives today. Neither they, nor their families have come to terms with what happened.

Journalist Daniela Dahn interviews the East-German author Christa Wolf during the German reunification: reflections on history, changing politics, life and work.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

The life story of Charlotte von Mahlsdorf, who survived the Nazi reign as a trans woman and helped start the German gay liberation movement. Documentary with some dramatized scenes. Two actors play the young and middle aged Charlotte and she plays herself in the later years.

The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

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A retrospective look at the youth cultures born in the German Democratic Republic. A celebration of the lust for life, a contemporary trip into the world of skate, a tale on three heroes and their boards, from their childhood in the seventies, through their teenage rebellion in the eighties and the summer of 1989, when their life changed forever, to 2011.

"GDR The uprising of June 17, 1953" - : Since its founding, the German Democratic Republic (GDR) has repeatedly struggled with domestic political problems. While the standard of living of the population in the western part of Germany steadily increased, it stagnated in the GDR . A one-sided, industry-oriented reconstruction policy, coupled with rapid militarization, weighed on the country's economy, which was already under pressure from Soviet reparations demands. A majority of the population did not identify with the socialist system, which accordingly stood on shaky ground.

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Erich Honecker ruled the GDR for 18 years. His fall in 1989 heralded the downfall of the state that had called itself "the better Germany" for 40 years. Nazi victim and autocrat, bourgeois and power-conscious: Honecker was an ideological hardliner who coordinated the construction of the Wall in 1961 and whose regime was known as an unjust state for Wall deaths, firing orders, the Stasi and forced adoptions. In the wake of the fall of communism, the former model socialist fell into homelessness and found himself on the run in his own country. Suffering from cancer, he managed to evade responsibility before a court by emigrating to Chile, where he died in 1994. This gripping documentary portrays the rise and fall of this contradictory German politician with an impressive array of top-class international and national contemporary witnesses. Erich Honecker would have been 100 years old on August 25, 2012.

In 1989, thirteen GDR scientists and technicians set off from East Berlin to the Georg Forster research station in the Antarctic. During their expedition the Berlin Wall fell on November 9th. Cut off from the images that go around the world, the men can only experience the historical events passively. When they returned in the spring of 1991, their homeland was a foreign country. The documentary reconstructs the thoughts and feelings of the East German researchers on the basis of eyewitness accounts, diary excerpts, letters, film material, grandiose landscape shots from the location of the action and unique photos to make the consequences of the events tens of thousands of kilometers away on the small GDR expedition in the middle of the eternal ice tangible.

In 2016, DEFA celebrates its 70th anniversary: the film embarks on a journey into the exciting film history of the GDR. In a comprehensive kaleidoscope, the importance of DEFA productions is illuminated, the relevance of the films as propaganda productions for the GDR, which socio-political themes were in the foreground, but also which heroes DEFA brought to the screen and celebrated as people from the people.

In the summer of 1989 tens of thousands of tourists from communist East Germany came to Hungary. They were deeply disillusioned because they felt they had no future in East Germany. There was no freedom, no choice in the shops, salaries were low and they could not travel except to Eastern Europe. They wanted to go to a prosperous and free West Germany but they could not get passports, so they hoped that by travelling through Hungary, the least suppressed country of the Soviet Block, they could cross the Iron Curtain into Austria and then travel on into West Germany. For them the Hungary of twenty years ago was the new east-west passage. Written by Czes

A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.

Former heads, senior officers and the rector of the MfS law school explain how the ministry functioned. The interviewees see themselves as legitimate actors with a clear mandate and political enemy image. They provide an insight into the techniques and routines of secret service work, psychological tricks during interrogations and the management of “unofficial collaborators”. What they all have in common is that they are not aware of any moral guilt. The directors contrast their footage of prisons and archives with the statements of former Stasi employees in an attempt to expose their evasions and efforts at suppression.

In October 1987, the documentary film collective Amber Films from Newcastle became the first British film crew ever allowed to shoot in East Germany. They filmed the workers of the state-owned fishing concern in Warnemünde and a brigade of crane operators at the state Warnow dockyards. Just two years later, East Germany was history, including most of the jobs it once provided. Twenty-five years later, in 2014, the filmmakers returned to an utterly different Rostock. They visited the people they had filmed in 1987. Together, documentarians and subjects look at excerpts from the earlier film, and talk about the enormous changes the men and women experienced, how they dealt with them, and how they feel today.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

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