An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Director Jean-Claude Brisseau discusses the making of his film Les anges exterminateurs (2006) in an interview.

A documentary short that gives you an exclusive look behind the groundbreaking original series, "Ms. Marvel", from its comic book origins to its development and production as Marvel Studios’ next hit series on Disney+. It features interviews with its award winning filmmaking team and the show’s captivating star, newcomer Iman Vellani.

Kianoush Ayari’s film captures rare scenes of everyday life on the streets of Tehran in the months following the revolution of 1979.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

Documentary on oil exploration, the phase before drilling.

There is no description

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.

The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

There is no description

Ever reached into your pocket to find your phone had been snatched? Dutch film student and former iPhone owner Anthony van der Meer experienced that awful feeling first-hand while having lunch in Amsterdam. Unsatisfied with the response from the Amsterdam police, who register an average of 300 stolen phones per week, Meer decided to find out what kind of person steals a phone. He downloaded DIY security software on a decoy Android phone, intentionally got the phone stolen, and was able to spy on his thief for weeks. He recorded the ups and downs of his covert investigation and turned it into a 22-minute documentary called Find My Phone.

A young trans man tells his story on a early morning journey to Coney Island.

There is no description

Two councils with two different approaches to LGBT rights.

When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.