A video-registration of the revue/cabaret show 'Showponies 2' by the Alex Klaasen Revue. In this sequel to the first Showponies-show, Alex Klaassen explores to what extent he cares about what (the still quite heteronormative) society thinks. Klaassen considers coming out for a second time, because he feels like he has ended up in a second closet after his first coming out.

The perfect way to get acquainted with Philippe Geubels' infectious humor or to relive a wonderful evening of live stand-up comedy.

The tour for "Zorg dat je erbij komt" was completely sold out. For three shows at the Meervaart, more than 150,000 people wanted tickets in just one weekend!

Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

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Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.

The second show of Dutch comedian Hans Teeuwen: sex, violence and foul language in a string of songs, abrupt transitions and evocative characterizations.

In his third theatre program the Dutch comedian Hans Teeuwen plays with empty wine bottles, little girls and himself. Poetic, absurd, false and genuine.

An absurdist theatre piece by Dutch comedy duo Rundfunk. A collection of original sketches and songs.

Registration of the theater show 'I Amhali' by Najib Amhali. Najib itself is central to this spectacular show full of music. He knows better than anyone that happiness is in the small things. He is happily married and just the father of a second son. But do these great milestones in his life also make him more mature? Not according to his wife, because she is sometimes stuck with three children! The band PlusSupportAct provides the musical accompaniment during this performance.

The surrealist adventures of Urbanus interacting with the world around him.

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LIVE; THEATERSEIZOEN '82/'84: 'Urbanus Live' werd in opdracht van Urbanus Nederland opgenomen tijdens twee uitverkochte voorstellingen in de Agnietenhof van Tiel op 4 en 5 februari 1983. Deze opnamen werden samengevat voor televisie en uitgezonden door de Vara in 1983 en in 1984. Dit is de volledige, ongeknipte versie van deze twee succesvolle uitzendingen via Vara en tevens een aardige weergave van het theaterseizoen 1982-1983 in Nederland en 1983-1984 in België. IN 'T ECHT: Deze theatershow van Urbanus was een ware triomf in de Belgische- en Nederlandse theaters, waarbij records sneuvelden wat bezoekersaantallen betreft. In Nederland werden ruim 200 voorstellingen gegeven, waarvan drie shows in Carré in Amsterdam. Geen enkele buitenlandse artiest deed hem dit na. In Vlaanderen was het niet anders. In alle grote theaters vonden meer dan twee voorstellingen plaats en Antwerpen leverde een record op van meer dan 15.000 bezoekers.

Second solo show by the Dutch comedian Hans Sibbel.

Registration of the third solo show by the Dutch comedian Hans Sibbel.

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Registration of the second theatre program by the Dutch comedian Theo Maassen.

Television registration of the seventh solo program by the Dutch comedian Sara Kroos.

Registration of the pantomime show of the same name. A starving shipwrecked sailor is picked up by a rusty whaler. No one can imagine that this is the beginning of the end.

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.