Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

The conflict in Israel today is often linked to the belief that the Bible serves as the Israelis' claim to the land, based on God's covenant with Abraham, Moses, and the Israelites. Filmmaker Timothy Mahoney investigates this by exploring ancient prophecies made by Moses, which predicted Israel’s rise as a kingdom, its fall due to breaking the covenant, the scattering of its people, their persecution, and eventual return to the land. Using archaeological evidence and expert insights, Mahoney delves into these events, raising deeper questions about Israel's suffering, their chosen status, and its relevance today. "The Israel Dilemma – Ancient Prophecies" is part one of a two-part film series exploring these themes.

The conflict in Israel today is often linked to the belief that the Bible serves as the Israelis' claim to the land, based on God's covenant with Abraham, Moses, and the Israelites. Filmmaker Timothy Mahoney investigates this by exploring ancient prophecies made by Moses, which predicted Israel’s rise as a kingdom, its fall due to breaking the covenant, the scattering of its people, their persecution, and eventual return to the land. Using archaeological evidence and expert insights, Mahoney delves into these events, raising deeper questions about Israel's suffering, their chosen status, and its relevance today. Part two of a two-part film series exploring these themes.

Lissette's favorite aunt Adriana, who lives in Australia, is arrested in 2007 while visiting her family in Chile and accused of having worked for dictator Pinochet's notorious secret police, the DINA, and of having participated in the commission of state crimes. When Adriana denies these accusations, Lissette begins to investigate her story in order to film a documentary about her.

Michael Cockerell sheds new light on the tragi-comedy of the 1970s by focusing on some of its most controversial characters. With fresh filming and new interviews, along with a treasure trove of rare archive, the film presents the inside story of giant personalities who make today's public figures look sadly dull in comparison. The well-known journalist revisits some of his films on the big characters who helped shaped the 1970s in Britain. Both tragic and comic, it highlights just how much our world has changed in four decades.

Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the city’s streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.

A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.

On the morning of the October 7 attack, Rachel and David Edri were held hostage in their home in Ofakim by a terrorist squad. For 20 hours the couple survived alone with the terrorists until they were rescued by the security forces. During the hours, Rachel offered the terrorists food and drinks, talked with them and took care of one of the wounded.

The life of a couple is observed through the home they have left behind.

Guy Debord's analysis of a consumer society.

Poland, 1970. When popular protests erupt in the streets due to rising prices, the communist government organizes a crisis team. Soon after, the police use their truncheons and then their firearms. The story of a rebellion from the point of view of the oppressors.

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

For almost two thousand years, the story of Jesus’ final days has been celebrated by Christians the world over. From Jesus’ triumphant entry into Jerusalem, through to his eventual crucifixion six days later, the key moments have been immortalized in countless films, pieces of music, and works of art. But in recent years, some historians have begun to question inconsistencies in the Gospels’ version of events. They believe that the Gospels could hide a very different story; one that casts the historical Jesus in an entirely new light. Based on a new interpretation of contemporary historical events in Rome, "Last Days of Jesus" peels back thousands of years of tradition, to explore a new political context to the events in Jerusalem. "Last Days of Jesus" explores how dramatic political events in Rome could have played a crucial role in shaping Jesus’ destiny, and examines an extraordinary political alliance that altered the course of history.

Paris, Rue Beautreillis, July 3, 1971. The corpse of rock star Jim Morrison is found in a bathtub, in the apartment of his girlfriend Pamela Courson. The chronicle of the last months of the life of the poet, singer and charismatic leader of the American band The Doors, one of the most influential in the history of rock.

Deng Xiaoping's economic and political opening in China. Margaret Thatcher's extreme economic measures in the United Kingdom. Ayatollah Khomeini's Islamic Revolution in Iran. Pope John Paul II's visit to Poland. Saddam Hussein's rise to power in Iraq. The Soviet invasion of Afghanistan. The nuclear accident at the Harrisburg power plant and the birth of ecological activism. The year 1979, the beginning of the future.

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

Documentary on the work of Frank Lloyd Wright's architecture.

An examination into life and work of celebrated drummer Carl Palmer, a founding member of influential bands such as Asia and Emerson, Lake and Palmer.

Children get ready to start the first grade. They start learning the first letters.

Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history. It was the beginning of radical transformation where iron was pitted against stone, engineering against architecture, and modern design against ancients. Press campaigns, lobbying, public conferences, denigration of opposing projects, bragging about big names - all participants engaged in a fierce battle without concession. Using 3D recreations, official sources (reports, letters, drawings...) and intimate archives obtained from their descendants, this film will bring to life this vertical race through a fresh and visual way to mark the centenary of Eiffel death.