Following the death of Josip Broz Tito (1892–1980), one city in each of the six republics and two autonomous regions of the Socialist Federal Republic of Yugoslavia had the honour to be named after the long-serving president. Having been chosen due to leftist ideas, proletarian character, industrialisation, urbanisation and modernity, they were often privileged. Now located across seven countries, not one of these cities is still named after Tito. We learn the stories of these cities from their residents who look back at the period under Tito’s name. Many of these stories are tragic since the majority of cities have been touched by war.

Parade, one of Makavejev’s best-known films, is view into the preparations International Worker’s Day where the director all but ignores the titular parade. The film focuses on the people – those who work and those who wander the streets, sometimes lost among the throngs, shown in a by-the-way fashion and not without humor. Makavejev claims he sought to show, man as he is...

At his school, 10-year-old Zoran wins the competition for the best essay about Tito. His reward is participation in the march "Revolutionary trails" to Tito's hometown of Kumrovec.

A young man by the name of Atif Kurtovic goes into a mine for the first time in his life to become a miner and to continue exactly where his now retired grandfather had left off. However, his fate is soon completely changed when he is picked as the face for the most valuable banknote in the country, the bill in the amount of one thousand dinars. Because of this, Atif soon finds himself on his way to Belgrade where Tito's personal photographer takes his picture and thus allows Atif to become a part of history. Into this story enters a young girl whose nickname, "Hiljadarka / A Thousand", is no accident and with whom Atif falls in love. When Tito announces his personal visit to Atif's hometown, there begins an adventure that they will all remember for the rest of their lives.

Based on a true story of a meeting in June 1945 between two powerful men with very opposite philosophies and perspectives on the future of their country.

Blue Train is Serbian atipic teenage comedy. Just before Tito's death a high school graduates in Belgrade live their normal life before the end of the school year. Spring is relaxed and they organize the election "Princess Of Spring" for the most beautiful girl in school. Vojislav is in love with Anica, friend from class. While his best friend, convinces him that the organization of the miss elections is the best way to win Anica's heart. Milena has crush in Vojislav, and she want to spoil his plan. After the death of professor of Marxism, in the school comes a new, very young and ambitious professor Božičković, a former pupil of the school. His charm and informal dress manages to win the sympathy of students, especially girls. Professor Božičković like Anica, and he shows that in front of the class. Anica and Vojislav do not appritiate that.

Stipan is a policeman who comes to small Adriatic island off the Croatian coast in order to investigate reported strange phenomena that had frightened the whole population. At first, nobody wants to co-operate with him, but he finally finds that the island is being allegedly haunted by the ghost of Josip Broz Tito, Communist leader of former Yugoslavia. For Luka, the mayor, this is the opportunity to turn entire island into Tito-themed amusement park. Tito's WW2 veterans, on the other hand, don't believe in ghosts; for them, the apparition is actually Tito himself, who had returned in order to lead them into a new revolution which would restore Communism. Written by Anonymous

In former Yugoslavia, following Tito's break-up with Stalin, the rocky island of Goli Otok was the camp site for political prisoners. From that officially non-existant yet dreaded place a young man escapes and seeks refuge on a nearby island. The nuns from the local convent find him unconscious and decide to give him shelter. A relentless secret policeman comes to the island and starts making life miserable for its inhabitants, hoping to find his prey...

The lives of many people in one Serbian town are changed after Tito's breakup with Stalin.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The fascinating and tumultuous lives of Mikhail, Boris and Denis Kaufman (better known as Dziga Vertov) are the focus of this powerful documentary. Using rare archival footage from Russian state film archives and private collections, the brothers' lives and art are traced from Bialystok to Moscow, Paris, and Hollywood.

The Force presents a cinema vérité look deep inside the long-troubled Oakland Police Department as it struggles to confront federal demands for reform, a popular uprising following events in Ferguson, MO, and an explosive scandal.

While investigating the furtive world of illegal doping in sports, director Bryan Fogel connects with renegade Russian scientist Dr. Grigory Rodchenkov—a pillar of his country’s “anti-doping” program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program.

Uncompromising millennial radicals from the United States and the United Kingdom attack the system through dangerous technological means, which evolves into a high-stakes game with world authorities in the midst of a dramatically changing political landscape.

A documentary about Cairo Jazz Festival's Amr Salah and his struggle every year to bring people and arts together in a country where 70% of people are under 30 and the Officials do not care about culture too much.

WAR OF WORDS is an energizing, controversial and inspiring feature documentary that lifts the lid on the fast growing UK Battle Rap scene. The documentary is an examination of an exciting subculture of youth in the UK today; their creativity and work ethic, their passion for language and ability to control their own destiny. It investigates freedom of expression and respect for other cultures and lifestyles. While the language is often harsh and unflinching, the 'anything goes' philosophy of the battle arena results in one of the most harmonious and creative scenes in youth culture. The film is a truly entertaining expose on how the UK has embraced this American art form, creating one of the most exciting youth subcultures happening right now.

Donkeys inhabit and communicate with each other - and the filmmakers - in a Sanctuary.

The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.