Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.

Three stories (Gabriela, Eda and Jana), two of which are dedicated to girls. They share a common motif of disillusionment when the protagonists encounter scorn and disinterest.

Three separate stories all concern the relationships between adult children, their somewhat distant parent (or parents), and each other. Each of the three parts takes place in the present, and each in a different country. Father is set in the Northeast U.S., Mother in Dublin, Ireland, and Sister Brother in Paris, France. The film is a series of character studies, quiet, observational and non-judgmental. A comedy, but interwoven with threads of melancholy.

Covering only the first 22 chapters of the Book of Genesis, vignettes include: Adam and Eve frolicking in the Garden of Eden until their indulgence in the forbidden fruit sees them driven out; Cain murdering his brother Abel; Noah building an ark to preserve the animals of the world from the coming flood; and Abraham making a covenant with God.

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A short film based on the book by Slovak author Pavol Zeleňák, "Keď sú tajomstvá iba služobné" (When Secrets Are Only Official). In four tragicomic short stories—banking, confessional, medical, and state secrets—the viewer learns what can happen when bank clerks, priests, doctors, and ministers reveal or abuse official secrets. Regardless of the reason for their actions, they can cause curious problems or even tragedy.

A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.

An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.

The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.

Bewildered, Carlos awakens from a nightmare stalked by Death. The dream has a foreboding message, which is not entirely clear to him. Carlos decides to challenge his destiny and face the consequences, but his evil doing ends up shaping his own fate and that of those around him. Macabre by choice, Carlos attempts to tip the scales by changing the course of the plot designed by the gods. In this story,the unsettling city of Mexico is the backdropthat reveals psychological and human postures characteristic of a big city. It is a story where individuals who change their destiny with masks and opportunism manipulate morality, religion and reason for selfish personal gain.

This collection of five short films artfully portrays desire's ability to both empower and destroy those who encounter it.

Three stories from the Mediterranean region that deal with feelings of loneliness, disappointment and transience, and efforts to overcome them.

A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.

A film in five episodes, all based on an attempt to show the life of young people today, their feelings and relationships, their behaviour in public and private life.

The film tells about the inhabitants of the Russian city of Tsaritsyn-Stalingrad-Volgograd. The film consists of three novellas, united by the theme of love and the scene - a city on the Volga.

Three stories from the school environment, mostly from the perspective of teachers. In the first story we see an unnecessarily strict teacher, in the middle one a sports career is glossed over, which causes a young teacher to leave his job. In the final story, on the other hand, an experienced high school teacher goes to teach in a rural school to gain inner peace.

A strange mortician tells four horrific tales to three drug dealers that he traps in their local funeral parlor.

Five short stories: The Master and the Twentieth Disciple; Every Week is Sunday; It's Boniface's Fault; The Raggedy Song; The Spider's Web.

In the middle of a riverside park stands a single bench. One evening, a couple of childhood friends who hadn’t seen each other in a while meet up at this bench. Although awkward at times, they sit there exchanging gentle words of affection. And as time goes by more people gather at this little bench: a couple on the verge of a breakup that gets interrupted by an old man, a runaway and her older sister that comes looking for her, and city officers planning on removing the bench. At the Bench is an anthology film showing glimpses of the everyday life of various people that gather by this little bench.