Writer-actor Aaron Davidman embodies seventeen different characters in and around the sacred city of Jerusalem as he takes us on an eye-opening journey into the heart of the Israeli-Palestinian story. Exploring universal questions of identity and human connection, the film is about one man's effort to embrace a multiplicity of conflicting viewpoints, chronicling a brave exploration of the complex humanity at the heart of one of the world's most troubling conflicts.

Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime

Deep beneath the surface in the Syrian province of Ghouta, a group of female doctors have established an underground field hospital. Under the supervision of paediatrician Dr. Amani and her staff of doctors and nurses, hope is restored for some of the thousands of children and civilian victims of the ruthless Syrian civil war.

Basically, 'Herakles' is an omnium-gatherum of film clips depicting images of machismo. Some of those images are explicitly macho: we see various body-builders flexing their biceps and triceps. Other images seen here are not macho in the literal sense, but are indirectly related to testosterone or cojones on some level: we see military aircraft making bombing raids, and footage of car crashes.

Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.

They are clad in the religiously correct abaja, are not allowed to drive and yet still go their own way with confidence. In pioneering work, a new generation of women in Saudi Arabia are fighting for positions as politicians, lawyers, editors-in-chief and entrepreneurs for the first time. A documentary about courageous women who are developing ideas about what the strictly conservative kingdom needs for its future.

A documentary on how British double-dealing during the First World War ignited the conflict between Arab and Jew in the Middle East. The bitter struggle between Arab and Jew for control of the Holy Land has caused untold suffering in the Middle East for generations. It is often claimed that the crisis originated with Jewish emigration to Palestine and the foundation of the state of Israel. Yet the roots of the conflict are to be found much earlier – in British double-dealing during the First World War. This is a story of intrigue among rival empires; of misguided strategies; and of how conflicting promises to Arab and Jew created a legacy of bloodshed which determined the fate of the Middle East.

The story of the biggest demonstration in human history, which took place on 15th February 2003, against the impending war on Iraq.

The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, "Porquoi Israel," and "Shoah," have had great effect on the ways documentaries are produced. "Tsahal" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.

An underdog basketball team under the helm of an idealist school teacher from hard scrabble Diyarbakir in Southeastern Turkey goes beyond winning games in their mission to rise above prejudice, poverty and political turmoil created by the decades long conflict between the Turkish state and Kurdish rebels who are fighting for local autonomy and cultural rights.

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

A touching story of friendship, struggle and triumph, the film follows the journey of two Somali national soccer team friends chasing their dreams in the face of impossible odds. After surviving two decades of war, Saadiq, 17, and Sa’ad, 19, the team’s most promising stars, enter the only televised match of the year hoping scouts will be watching. With passports of no value on the world stage, soccer may be their only shot to escape a growing terror threat, persecution and poverty. Against the backdrop of fear and shared sacrifice, they embark on separate but equally improbable journeys. In the opportunity of a lifetime, Saadiq sets off for America with dreams of an education and a soccer career. Sa’ad continues his career in Mogadishu with the hopes of someday being reunited with his friend. Their biggest dream is shared – to be symbols of hope to generations who have only known war.

A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.

Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.

A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.

At an altitude of nearly 4,000 meters, Sking is one of the most isolated villages in the Himalayan region of Zanskar. In just three months, from August to October, the Zanskaris have to harvest and store all their food for the coming year. All the women-young and old alike-work nonstop, from dawn to dusk, and worry about the arrival of winter. Filmed from the point of view of a subjective camera by a young female ethnologist, Land of Women offers a sensitive and poetic immersion in the life of four generations of women during harvesting season. We share their rare intimacy and gradually grow attached to them.

DRONE is a documentary about the covert CIA drone war. Through voices on both sides of this new technology, DRONE reveals crucial information about the drone war in Pakistan and offers unique insights into the nature of drone warfare.

An inspirational story about a group of women from a remote farming region of Costa Rica whose ideas sparked a revolution in the coffee growing world.

Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.