In 1940, shortly before the outbreak of war, a young boy Marjan lives a carefree life with his gang in Ljubljana, experiencing all the problems of his age. With Lenka he's experiencing his first "pure" love, while discovering sexuality... The Italian occupation brings many changes, gang breaks up, some join the liberation movement, the others join collaborationist forces. Marjan remain "unlisted". Italians surrender, and hand over the city to Germans. Frivolous Milena, who has good connections with them, seduces Marjan whom she lost her innocence with. The war is over and the partisans win. The new authorities mistakenly imprison Marjan.

Veronica is a high school student studying to be a glazier, although she dreams of being a theatre actress. The only thing that she finds joy in at school is the company of her friend, Klemen and writing the script for a theatre play in her spare time together with a retired actress whom she has befriended. Her parents find it difficult to understand her acting ambitions - or rather, they would probably find it difficult, if they would bother to take the time off their busy schedules to try. Nor does anyone else understand Veronica. When all her plans go awry, she ends up in a home for juvenile delinquents. When she is released into the custody of her parents again, she eludes their vigilant guard and runs away to the country, to Klemen. Only Klemen's father makes it abundantly clear to her when she gets there that Klemen will not stand by her side either. Veronica finds herself out on the street again, where everything is possible and the future is open to her...

A melodramatic story of Lucia, who serves as a charwoman on the Podlogar family's rich farm, and makes a fuss among householder's sons, as she becomes pregnant with one of them. A decision on whether one should be forced into marriage with the pregnant charwoman and her child, ends tragically. Will Lucia be able to sustain psychological pressure, contempt and pity of the Podlogar brothers?

At the end of the last century hunters who hunted wild roosters, while waiting for prey to show up, were killing time with storytelling. The first story is about Jernac that had a fight with Tomas because of Rezika. Another story tells about Tincek, limp foundling, who spent his youth with the Komar family, where he fell in love with their Lencka. The third is the story of a rich Miholac whose attention was grabbed by poor Polonca, a romance that was opposed by his father. The central theme of all stories is love that eventually everybody die of.

The film is based on a novel by Ivan Tavcar and was adapted for the screen by Andrej Hieng. It is set at the end of the 17th century in the area that is now Slovenia at a time of religious intolerance with Amandus, a Catholic priest, determined to persecute local Protestants.

The stories narrated by the film bring together individuals all over the world, spanning over sixty years and thus symbolically covering the approximate period of a single human life. Each of the stories is based on true accounts and events, summed up from newspaper articles, statements, and media announcements. Through internal monologues the collage makes up a whole which transcends any individual story.

Three stories connected by the motifs of water and death told in neorealist style.

A post-WW2 story about the village largely involved in wine-making business. The peasants who claimed possessions of lands, woods, and churches after communist party seized the power hold a party where a member of so-called reactionary forces (kulaks, clergy and Axis collaborators) tries to break in and stop it.

Bevant is a freak who wanted to remain faithful to himself, and therefore, in contrast to most, he remained a farmer.

Peter, whose father was a member of the Home Guard collaboration forces and a political emigrant, returns from Argentina to Slovenia, his father’s homeland. In Slovenia, Peter makes the acquaintance of an architect, but their friendship is fraught with ideological conflicts.

Based on the novel by Josip Jurcic and set in rural Yugoslavia in the 1840's. The tenth brother of a family returns to the family home to take revenge on his father who had abandoned him as a child.

A TV journalist making a documentary in a factory finds out that the workers have been on strike and tries to analyze the strike in his film, but is thwarted by the TV company. His failure at his job is interwoven with his failed marriage.

When Peter comes back from the war, he finds his father changed and alone. Their former maid, Leni, has also left and soon Peter's grandfather also dies. His father begins writing his memoirs of his Partisan years. Peter blames his father for his mother's death, but the final blow comes when he catches his father together with his (Peter's) former girlfriend. He moves in with his brother and accuses Leni of having had an affair with his father. Peter decides to kill his father but cannot carry out the plan. His father tells him in a fit of rage that he isn't his son at all. Feeling desperate and down, he goes to Leni's place for comfort, and finds her dead on the floor. The police arrest Peter for the murder of Leni. Will Peter have to serve a jail sentence on his road to maturity and will political connections have a bearing on the final verdict of the trial? Peter doesn't even know whom he can trust anymore.

When Dane returns from the army, Vera awaits him at the station, ready to live together with him. Yet beneath the veil of enthusiasm lies anxiety for their future. The couple sets off for the mountain village where Vera's parents live, but find life in the harsh alpine conditions too difficult. They decide to move down into the valley, where they meet a discontented couple whose marriage has been marred by an affair. Vera and Dane also encounter difficulties in their relationship, but the tragic example of the other couple helps them realize that their home lies in the place of their birth - beneath the free skies in the mountains.

Slovenia, Australia and Tomorrow the World is a drama film with elements of comedy. The central character Boris works as a machinery maintenance man in a factory, hoping that his work and efforts will be awarded in the future. And indeed, he is given an opportunity by Cosmica, a company providing door-to-door sales and counselling services as well as investment in securities.

A coming-of-age story set in Slovenian town during WW2.

In 2009, a group of military enthusiasts led by the commander France (Gojmir Lešnjak - Gojc) decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija (Silva Čušin) and his daughter Mateja (Anja Drnovšek). The daughter as a representative of the young generation has no understanding of her father's enthusiasm for partisans, battles and Tito. France is also confronted by the Slovenian police led by the commander Brane (Dario Varga) as Brane forbids France to stage any more battles ... Will the young generation accept our history and will Trieste be ours?

After false reports of his demise put him and his work on the map, an artist decides to continue the charade by posing as his own brother. Soon, a reporter enters his life and has a profound effect on him.

Two boys, Kekec and Rozle, come to serve a farmer, with a blind daughter Mojca, as shepherds. As the night falls, the two boys start talking about a woman who lives in the mountains and is supposed to steal children. Her name is Pehta. In the morning, Kekec, Rozle and Mojca go to an Alpine cottage and Kekec promises Mojca that he will find her a remedy for her eyes. As the girl is picking flowers, Pehta arrives and takes Mojca into her cottage. She wants to keep Mojca because of her singing.

After cheating on his wife with a prostitute, Peter must try and forge ahead with his idyllic family surroundings while carrying the guilt, but that doesn't stop his wandering eye or the temptation to do it again. Meanwhile, his wife Katarina receives mysterious text messages that might be indicative of her own indiscretions. As the two drift further apart while living in secret, their teenage daughter takes after their behavior while exploring her own sexuality, careful not to divulge too much information to her parents. A portrait of a family in a constant state of calm before the inevitable storm of discontent and discovered lies.