An account of karate competitor Choi Yeung-Eui who went to Japan after World War II to become a fighter pilot but found a very different path instead. He changed his name to Masutatsu Oyama and went across the country, defeating martial artists one after another. This film concentrates on the period when he is still young, and developing his famous karate style, Kyokushin.

In 1923, teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees.

Sugihara, a Japanese-born, third-generation Korean teenager struggles to find a place in a society that will not accept him.

Set in the 1970's in the Kansai region of Japan.. Yong-Gil is Korean, but he moved to Japan and settled down. He runs a small restaurant named Yakiniku Dragon. He is married and has three daughters: oldest daughter Jung-Hwa, middle daughter Yi-Hwa and youngest daughter Mi-Hwa. Oldest daughter Jung-Hwa is dating Tetsuo, but they break up. Middle daughter Yi-Hwa loves Tetsuo and marries him, but Tetsuo still loves her older sister and they divorce. Youngest daughter Mi-Hwa wants to become a singer, but she is in love with a married man.

A spirited and brave fiction debut by Lee Sang-il, a Korean-Japanese filmmaker, that explores the taboo subject of the relations between Korean immigrants and Japanese in Japan.

A Korean man is sentenced to death in Japan but somehow survives his execution, sending the authorities into a panic about what to do next.

A Korean taxi-driver interacts both humorously and tragically with his customers and employers in '90s Tokyo.

Romeo, A.K.A. Kosuke Matsuyama, is a second-year high school student. A nice, normal, nonviolent type, he suddenly finds himself in the middle of a rampaging crowd of Korean boys, outraged by insults perpetrated by several of his idiotic class-mates on two Korean girls. He makes a narrow escape, but soon after, he and his best bud Yoshio are sent by their home-room teacher to invite the Korean students to a friendly soccer game as a way of restoring the peace.

Following a stint in reform school, Ryu (Shinsuke Shimada) returns to his home, the Minami area of Osaka, accompanied by his new friend Ko (Takeshi Masu). He's greeted by his friends, Chabo (Ryusuke Matsumoto) and Ken (Bang-ho Cho). They seek to forge their own path through a multitude of rival gangs in Kita and Minami, including the Hokushin Alliance, backed by the yakuza, the Hope Association, and various other minor factions, including Zainichi Korean groups. What follows is a wild, fast-paced story of violence, revenge, betrayal, and discrimination, that never loses its sense of humor.

When poverty-stricken Korean-Japanese (Zainichi) discover there is valuable iron ore in the rubble of a destroyed shantytown they plan to haul it out for profit. Amidst this plan there is discrimination, war and an infatuation between a man and a woman, but like everything around them there and owing to the forces around them, there is as much chance that these may burn to ashes and be destroyed or be the beginning of something new.

A retired contract killer goes on a bloody rampage when a young girl finds herself at the mercy of gangland human traffickers and only one man can come to her rescue, with an arsenal of weapons and years of experience in the art of killing.

In 1974, during the height of the recession, a Japanese Korean family relocates to Tokyo to raise money and seek better treatment for their ill son.

Story of Rikidozan, a sumo wrestler who can only achieve limited success in Japan because he's half Korean. But when Rikidozan goes to the United States and discovers professional wrestling, he becomes a hero back home.

Director Park Soo-nam, a second-generation Korean resident in Japan who is losing his eyesight, decides to digitally restore 16mm film she shot a long time ago, relying on her daughter Park Ma-eui's eyesight. The blood, tears, and numerous corpses of Koreans living in Japan are clearly engraved in the film filmed over 50 years.

In Kawasaki, Japan, 1st to 3rd generation of Korean-Japanese and Americans share their daily lives and wish for a symbiotic society. The inter-Korean summit in 2000 brought reconciliation and hope to the divided Korean community. Meanwhile, hundreds of hateful demonstrators are approaching Sakuramoto, the Korean residence, amid deepening tensions between Japan and Korea in 2016.

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

The protagonists of the film are the Zainichi Korean women living in Kawasaki. They were tossed about by the war, and after many trips to and fro across the sea in search of a place to live, they finally arrived in Kawasaki, where they have lived modestly and vigorously.

Dear Pyongyang is a documentary film by Zainichi Korean director Yang Yong-hi (Korean: 양영희, Hanja: 梁英姬) about her own family. It was shot in Osaka Japan (Yang's hometown) and Pyongyang, North Korea, In the 1970s, Yang's father, an ardent communist and leader of the pro-North movement in Japan, sent his three sons from Japan to North Korea under a repatriation campaign sponsored by ethnic activist organisation and de facto North Korean embassy Chongryon; as the only daughter, Yang herself remained in Japan. However, as the economic situation in the North deteriorated, the brothers became increasingly dependent for survival on the care packages sent by their parents. The film shows Yang's visits to her brothers in Pyongyang, as well as conversations with her father about his ideological faith and his regrets over breaking up his family.

The late Kim Dong-il, a Jeju April 3 refugee in Japan, left behind over 2,000 crocheted items and pieces of clothing that preserved her memories, identity, and history. As the film traces the redistribution of her belongings, it illuminates the still-unhealed lives of various Zainichi Koreans who lived through the same era, sharing and connecting their intertwined memories.

This documentary is about the 3rd and 4th generation Korean residents of Japan who are students of Chosen elementary, middle, and high school in Hokkaido. It follows the students through one year of the eventual 11 years` national education. Rather than focusing on special occasions or issues, it reveals what it is like to live in Japan as Korean-Japanese by describing their everyday lives.